Research Logs, Essays, Conversations tagged with paintings

Keeping Track of Time

Keeping Track of Time

Essays, Stedelijk Studies Masters 2025

by India Jeffes

Comparing Two Exhibitions on 19th-Century Design at the Stedelijk Museum Amsterdam

MODERN?

Essays, Stedelijk Studies Masters 2025

by Ginger van den Akker.

Vasily Chekrygin and the devils of avant-garde

Vasily Chekrygin and the Devils of Avant-garde

Mortality as Matter, Research Logs

by Katerina Sidorova

Fig. 3: watu wa mwituni, 2022, oil on paper. Courtesy of the artist.

Help Us Our Land

Fellowship Wanini Kimemiah

by V for 5

Anneke van der Feer, Self-portrait, oil on canvas, 73 × 60 cm. Collection Stedelijk Museum Amsterdam.

A Close Friendship: Anneke van der Feer and Antonia van den Hoogen-Berlijn

by Isabella Legebeke

Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.

Reshaping the Politics of Visual Representation

A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl

Do Cultural Institutions Repair or Reproduce Violence?

Do Cultural Institutions Repair or Reproduce Violence?

A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.

The Infinity Universe. Oil on canvas.

Through the Roar of Cosmic Cataclysms

by Tatiana Kochubinska and Tetiana Zhmurko

To become an Abstraction

To become an Abstraction

Mortality as Matter, Research Logs

by Katerina Sidorova

No White in Sight

No White in Sight

by Vincent W.J. van Gerven Oei

Anti-Semitism in the 19th and early 20th centuries - More stories about works in the exhibition MODERN

Anti-Semitism in the 19th and early 20th centuries

Essays, MODERN — Van Gogh, Rietveld, Léger and others

by Maurice Rummens

Yto Barrada: The Mothership in Tangier

Yto Barrada: The Mothership in Tangier

by Leontine Coelewij

Persuasions in Liminal Spaces

Persuasions in Liminal Spaces

Abstracting Parables, Essays

by Nafisa Rizvi

Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum

Music, Painting, Intuition, and Calculation

Abstracting Parables, Essays

Sedje Hémon and the Stedelijk Museum

ABDIAS DO NASCIMENTO Pink Mulatto Woman: A Study for Oshun. Acrylic on canvas, 102 x 153 cm. Middletown, 1970 © IPEAFRO

Abdias do Nascimento: Being an Event of Love

Abstracting Parables, Essays

by Bonaventure Soh Bejeng Ndikung

Black Lives Matter protest in Dam Square, Amsterdam on June 01, 2020. Photo by Mascha Tielemans available at The Black Archives.

Wake up and smell the coffee: El Dorado is right here in the Netherlands!

Essays, Surinamese School

by Bart Krieger

Art as Colonial Contact Zone

Art as Colonial Contact Zone

Essays, Kirchner and Nolde: Expressionism. Colonialism.

Essay by Paul Basu

Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

Essays, Kirchner and Nolde: Expressionism. Colonialism.

A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli

Pablo Picasso giving a drawing lesson to his children Paloma and Claude, and two friends. Photograph by Rene Burri / Magnum.

Rene Burri / Magnum.

Picasso and the Art of Children

Let Textiles Talk, Research Logs

by Amélie Martelle

Fig. 2. Bruce Nauman - Seven Figures

Straight Innocence

Essay by Vincent W.J. van Gerven Oei

The Power of the Everyday: Reflections on The Surinamese School exhibition

The Power of the Everyday: Reflections on The Surinamese School exhibition

Surinamese School, Essays

Essay by Chandra Frank

Languages of Resistance and Protest in Dutch-Surinamese Painting

Languages of Resistance and Protest in Dutch-Surinamese Painting

Essays, Surinamese School

Essay by Oneika Russel

Installation view exhibition Surinamese School. Painting from Paramaribo to Amsterdam, Stedelijk Museum Amsterdam, 2020-2021. Leo Glans, Cubist Portrait of a Woman, ca. 1936, oil on panel, 72 x 55 cm; Javan Woman, 1932, watercolor on paper, 58 x 44 cm; Portrait of a Woman, 1933-1934, oil on canvas, 100x 65 cm, all: Stichting kunstwerken Leo Glans. Photo: Gert Jan van Rooij

Surinamese School: Reflections on History, Art, Decolonization and Cultural Identity

Essays, Surinamese School

Essay by Azu Nwagbogu

Journal Articles tagged with paintings

Figure 13. Joseph Zaritsky, Composition, 1946, watercolor on paper, 37 × 55 cm. Collection Stedelijk Museum Amsterdam.

Zaritsky/Rusli: A Multidirectional Approach to Curating International Modern Art

Issue #14: Amsterdam: Reconsidering the Transnational

by Kerstin Winking

Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

Issue #14: Amsterdam: Reconsidering the Transnational

by Madelon van Schie

Space, Movement, and Body: Marlow Moss

Space, Movement, and Body: Marlow Moss

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Gülce Özkara

Revisiting Wim Beeren’s European Utopia: Wanderlieder Thirty Years Later

Revisiting Wim Beeren’s European Utopia: Wanderlieder Thirty Years Later

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Joanna Mardal

Exhibition Surinamese School

Exhibiting Surinamese Histories of Art: Curatorial Approaches Towards Diversity

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Oscar Ekkelboom

Fig. 1. The Salon in Migrant Artists in Paris at the Stedelijk. Photograph by the author, October 27, 2019.

In All Fairness: An Exploration of Ethical Collaborative Practices

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Najiba Yasmin

Modern Group Portraits in New York Exile

Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff

Issue #09 - Modernism in Migration

By Burcu Dogramaci

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