All publications from the category Research Logs

Fig. 5. The first to the right of the corner. Lambert Meertens and Leo Geurts, Kristalstructuren, 1972. Ink on paper, Electrologica X8 mainframe computer, ALGOL 60 programme. 65 x 65 cm each. Stedelijk Museum Amsterdam 2026. Photo: Peter Tijhuis

Rethinking the museum’s early computer art acquisitions

by Alessio Tozzi

Eileen Gray: Sensuality in Modernist Tubular Steel

Eileen Gray: Sensuality in modernist tubular steel

by Tamara Klopper

Figure 3. Ansuya Bolm, Amazing Grace, 1989, 16 mm color film, 14 min.

I’m Just a Girl

by Mela Miekus

Installation view, Pamela Rosenkranz – Liquid Body, Stedelijk Museum Amsterdam, 2025. Courtesy the artist, Karma International, Sprüth Magers and Miguel Abreu Gallery. Photo: Peter Tijhuis

On Plastic Disembodiment

by Simon Baier

Formafantasma – Oltre Terra, Stedelijk Museum Amsterdam, 2025.

Entangled with Sheep

by Victor Nieuwenhuizen

Vasily Chekrygin and the devils of avant-garde

Vasily Chekrygin and the Devils of Avant-garde

Mortality as Matter, Research Logs

by Katerina Sidorova

Fig. 5. Dino-Lite – Corner, Stedelijk Museum Amsterdam, April 9, 2024.

Uncovering the Mysteries of the Photography Collection: Robert Lebeck

by Janne van den Bergh in collaboration with Ana Carreres Llopis

The Don Quixote Sculpture Hall

by Tijmen Ter Keurs

Anneke van der Feer, Self-portrait, oil on canvas, 73 × 60 cm. Collection Stedelijk Museum Amsterdam.

A Close Friendship: Anneke van der Feer and Antonia van den Hoogen-Berlijn

by Isabella Legebeke

Threads of Resistance

Threads of Resistance: Angela Su’s Hair Embroidery

by Chi-Chia Pao

Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.

Speaking Back to an Incomplete Archive

by Paula Carcamo

Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis

Glitching the Museum

by Alicia Derksen

Fig. 6: Upper landing of the Stedelijk Museum. Photograph taken by Peter Tijhuis in 2024.

Rethinking collections: from a vitrine in use to a museum object

by Rosemarie Kramer

In the studio with Ana Lupas

In the studio with Ana Lupas

by Leontine Coelewij

To become an Abstraction

To become an Abstraction

Mortality as Matter, Research Logs

by Katerina Sidorova

Tell Me a Story

Tell Me a Story

by Michelle Adler

Action Reaction Abstraction: New Primary Education Program

Action Reaction Abstraction: New Primary Education Program

by Lisa Jacobs

Michel de Klerk and Liesbeth van der Pol

Michel de Klerk and Liesbeth van der Pol

by Ingeborg de Roode

Fig. 6 . Details of the back of the Stedelijk rocking chair where now unused stitching holes can be seen.

A nineteenth-century metal rocking chair

MODERN — Van Gogh, Rietveld, Léger and others, Research Logs

by Ingeborg de Roode and Stedelijk conservators

Fig. 5. Fazle Shairmahomed, Goddess Coco and Paolo Yao, from Syncretism: Obia Woman/Creole Madonna. Photo: Noël Schut.

Ava and Gabriel: An Exegesis

Exhibition Felix de Rooy Apocalypse, Research Logs

by Edward Akintola Hubbard

Война [War]: futurist publishing as a reflection on wartime reality

Война [War]: futurist publishing as a reflection on wartime reality

Mortality as Matter, Rakurs, Research Logs

by Katerina Sidorova

Fallen Leaves as a literary style and research methodology in the work of Vasily Rozanov

Fallen Leaves

Mortality as Matter, Rakurs, Research Logs

as a literary style and research methodology in the work of Vasily Rozanov by Katerina Sidorova

Keith Haring drawing Amsterdam Notes in the Stedelijk Museum Amsterdam, March 1986. Photo: Rob Bogaerts, Nationaal Archief / Anefo. Amsterdam Notes © Keith Haring Foundation.

Keith Haring: Notes on Paper

by India Jeffes

Fig. 1. Eduard Cuypers, ink set, design 1905 or earlier, copper, brass, glass, made by Het Huis, Atelier voor Decoratieve Kunst, Amsterdam. Coll. Stedelijk Museum, Amsterdam, gift of D.J. Veltman en C.M. Veltman-Sonnenberg, Ouderkerk aan de Amstel

Expressive Decoration and Rational Rivets: An Ink Set by Eduard Cuypers

MODERN — Van Gogh, Rietveld, Léger and others, Research Logs

by Kylièn Bergh and Ingeborg de Roode

Geometry Turning Into “Modernity”? by Ginger van den Akker

Geometry Turning Into “Modernity”?

MODERN — Van Gogh, Rietveld, Léger and others, Research Logs

by Ginger van den Akker

Video still from Cauleen Smith, Space is the Place (A March for Sun Ra) (2011). Courtesy of the artist and Morán Morán.

Video Club: Social Dance

Research Logs, Video Club

by Loulou Oudshoorn

Lines of Sight #1: Almaty, Kazakhstan

Lines of Sight #1: Almaty, Kazakhstan

Lines of Sight, Rakurs, Research Logs

by Robbie Schweiger

Yto Barrada: The Mothership in Tangier

Yto Barrada: The Mothership in Tangier

by Leontine Coelewij

(fig.1) Video Still from Ant Farm, Media Burn, 1975. Courtesy of Electronic Arts Intermix.

Video Club: Glued to the Tube: Picturing Violence in Mass Media

Research Logs, Video Club

by Janneke Schrage

How to Inspire Sustainable Practices

How to Inspire Sustainable Practices

It’s our F-ing Backyard, It’s our F-ing Backyard by Ab Stevels, Research Logs

by Ab Stevels

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