Research Logs
sharing ephemeral snippets of ongoing research at the Stedelijk Museum Amsterdam
Research logs were called to life to share
more research, more informally, with more people about the research currently taking place in and around the Stedelijk Museum. Follow curators while they prepare for their upcoming exhibitions, plunge into the unabridged words of the artists that were clipped to make museum wall texts, and discover what is being developed by the brains behind the museum library…
Collection and Exhibition Research
Speaking Back to an Incomplete Archive
by Paula Carcamo
September 5, 2024/by NikolaiGlitching the Museum
by Alicia Derksen
August 9, 2024/by NikolaiRethinking collections: from a vitrine in use to a museum object
by Rosemarie Kramer
July 18, 2024/by NikolaiIn the studio with Ana Lupas
by Leontine Coelewij
April 25, 2024/by NikolaiTo become an Abstraction
by Katerina Sidorova
March 26, 2024/by NikolaiTell Me a Story
by Michelle Adler
March 6, 2024/by NikolaiAction Reaction Abstraction: New Primary Education Program
by Lisa Jacobs
February 28, 2024/by NikolaiMichel de Klerk and Liesbeth van der Pol
by Ingeborg de Roode
December 6, 2023/by NikolaiA nineteenth-century metal rocking chair
by Ingeborg de Roode and Stedelijk conservators
September 27, 2023/by NikolaiAva and Gabriel: An Exegesis
by Edward Akintola Hubbard
July 19, 2023/by NikolaiВойна [War]: futurist publishing as a reflection on wartime reality
by Katerina Sidorova
June 27, 2023/by NikolaiFallen Leaves
as a literary style and research methodology in the work of Vasily Rozanov by Katerina Sidorova
June 21, 2023/by NikolaiKeith Haring: Notes on Paper
by India Jeffes
June 6, 2023/by NikolaiExpressive Decoration and Rational Rivets: An Ink Set by Eduard Cuypers
by Kylièn Bergh and Ingeborg de Roode
May 19, 2023/by NikolaiGeometry Turning Into “Modernity”?
by Ginger van den Akker
May 16, 2023/by NikolaiVideo Club: Social Dance
by Loulou Oudshoorn
May 2, 2023/by NikolaiLines of Sight #1: Almaty, Kazakhstan
by Robbie Schweiger
December 1, 2022/by NikolaiYto Barrada: The Mothership in Tangier
by Leontine Coelewij
October 14, 2022/by NikolaiVideo Club: Glued to the Tube: Picturing Violence in Mass Media
by Janneke Schrage
August 25, 2022/by NikolaiHow to Inspire Sustainable Practices
by Ab Stevels
August 24, 2022/by NikolaiA Step-by-Step Guide to Applied Environmental Design
by Ab Stevels
August 24, 2022/by NikolaiDesigning for the Circular Economy
by Ab Stevels
August 24, 2022/by NikolaiSustainable or greenwashing?
by Ab Stevels
August 22, 2022/by NikolaiExploring Our Backyard
By Veronica León
May 20, 2022/by NikolaiRace, Colonialism, and the Climate Crisis
What Artists and Designers Can Do. Ekow Eshun interviewed by Amanda Pinatih
May 18, 2022/by NikolaiLooking at Art through Cultural Analysis: Mieke Bal
by Britte Sloothaak
March 9, 2022/by NikolaiMade in Harrania?
by Amanda Pinatih
February 18, 2022/by CarlosChristine Sun Kim, IOU 4 USA, 2021
by Fabienne Chiang
January 12, 2022/by NikolaiPicasso and the Art of Children
by Amélie Martelle
January 7, 2022/by NikolaiSander Breure & Witte van Hulzen, 12 interventions for the Stedelijk Museum Amsterdam
by Danica Pinteric
January 5, 2022/by NikolaiMichele Rizzo, Rest, 2021
by Danica Pinteric
December 9, 2021/by NikolaiAn interview with Ali Selim
Log #6 by Amélie Martelle
September 14, 2021/by CarlosVisitors of the Wissa Wassef Centre
Log #5 by Amélie Martelle
September 1, 2021/by NikolaiDiving into the Stadsarchief Amsterdam
Log #4 by Amélie Martelle
August 15, 2021/by NikolaiSerendipity
Log #3 by Amanda Pinatih
August 1, 2021/by NikolaiThe tapestries IRL
Log #2 by Amanda Pinatih
July 19, 2021/by NikolaiMeeting the Collection
Log #1 by Amanda Pinatih
July 5, 2021/by NikolaiIn the artist’s words: Barricade
by Esiri Erheriene-Essi
July 1, 2021/by NikolaiIn the artist’s words: The dream of a 1000 shipwrecks
by Patricia Kaersenhout
July 1, 2021/by Nikolai