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Anneke van der Feer, Self-portrait, oil on canvas, 73 × 60 cm. Collection Stedelijk Museum Amsterdam.
A Close Friendship: Anneke van der Feer and Antonia van den Hoogen-Berlijn
by Isabella Legebeke
The House with the Ocean View: Conversation with performer Jia-Yu Chang Corti
The House with the Ocean View: Conversation with performer Jia-Yu Chang Corti
by Karen Archey and Mela Miekus
Threads of Resistance
Threads of Resistance: Angela Su’s Hair Embroidery
by Chi-Chia Pao
Szine #3: Extractivism Everywhere: Experimenting and Reflecting on the Role of Cultural Institutions in Global Crises
Szine #3: Extractivism Everywhere
Experimenting and Reflecting on the Role of Cultural Institutions in Global Crises
Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.
Reshaping the Politics of Visual Representation
A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl
Do Cultural Institutions Repair or Reproduce Violence?
Do Cultural Institutions Repair or Reproduce Violence?
A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
Drawing Faces (in Terror Times): An Introduction
Drawing Faces (in Terror Times): An Introduction
by Edwin Nasr
Figure 5. Contact sheet with views of the fair “Europe Against the Current” at Beurs van Berlage and the public on the Beursplein, 1989. Photo: Pieter Boersma.
Stedelijk Studies Journal Issue #14 Editorial
by Elize Mazadiego and Daniel Ricardo Quiles
Transnational Curatorial Practice: Amsterdam
Transnational Curatorial Practice: Amsterdam from 1970s
An Online Conversation
Figure 4. Hipólito Ocalia, Seroe grandi, Curçao, 1967, oil on plywood, 62 × 122.5 cm. Collection Stedelijk Museum Amsterdam.
Willem Sandberg, Chris Engels, and the Midcentury “Birth” of Modern Art in Curaçao
by Stephanie Lebas Huber
Figure 13. Joseph Zaritsky, Composition, 1946, watercolor on paper, 37 × 55 cm. Collection Stedelijk Museum Amsterdam.
Zaritsky/Rusli: A Multidirectional Approach to Curating International Modern Art
by Kerstin Winking
Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.
"A loving interest": U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile
by Madelon van Schie
Jan Mlčoch, Slapen II – Free Dormitory II, 1980. Installation shots. de Appel, Amsterdam. From de Appel Archive, Amsterdam. Courtesy of Jan Mlčoch.
Against the Current: Negotiating European Identities in a Still Divided World
by Juliane Debeusscher
Fig. 5. Hoepla #2, 1967, black and white tape recording, 56 min 24 sec. Collection Stedelijk Museum Amsterdam.
"Een merkwaardig misverstand": Postcolonial reflections on Hoepla
by Janna Schoenberger
Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism
Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism
by Pablo Santa Olalla
Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.
Speaking Back to an Incomplete Archive
by Paula Carcamo
Wilhelm Sasnal attends the conversation series Artist Talk at the Stedelijk Museum on March 30, 2024. Photo: Remco Sijtzema.
Artist Talk: Wilhelm Sasnal
a conversation with Wilhelm Sasnal and Adam Szymczyk
Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis
Glitching the Museum
by Alicia Derksen
Fig. 6: Upper landing of the Stedelijk Museum. Photograph taken by Peter Tijhuis in 2024.
Rethinking collections: from a vitrine in use to a museum object
by Rosemarie Kramer
Miles Greenberg, Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024. Photo: Maarten Nauw.
Artist Talk: Marina Abramović and Miles Greenberg
Rein Wolfs and Karen Archey speak with Marina Abramović and Miles Greenberg
Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.
Artist Talk: Marina Abramović
Rein Wolfs and Karen Archey speak with Marina about her artistic practice
In the studio with Ana Lupas
In the studio with Ana Lupas
by Leontine Coelewij
The Infinity Universe. Oil on canvas.
Through the Roar of Cosmic Cataclysms
by Tatiana Kochubinska and Tetiana Zhmurko
To become an Abstraction
To become an Abstraction
by Katerina Sidorova
Tell Me a Story
Tell Me a Story
by Michelle Adler
Figure 2. Renzo Martens, Enjoy Poverty, remade neon sign from Episode 3 roaming an Amsterdam canal around the premiere of the film, November 2008. Photo: Jelle Bouwhuis.
Fail Better: SMBA (1993–2016) and the Limits of Institutional Critique
by Jelle Bouwhuis
Action Reaction Abstraction: New Primary Education Program
Action Reaction Abstraction: New Primary Education Program
by Lisa Jacobs
Kader Attia at the Stedelijk Museum Amsterdam’s Badkuip (Bathtub) Lecture series, given on 21 October 2023. Photo's by Maarten Nauw.
The Museum Reinvents Attention
by Kader Attia
“Looking Through the Lens of Support”: Museum-ing Within and Between Institutions
Looking Through the Lens of Support: Museum-ing Within and Between Institutions
by Alison Burstein
Figure 11 - Museum guards’ winning shooting team, The Metropolitan Museum of Art, 1930. Museum reference #: MM2930. Photographer: not recorded
I Came to the Museum...
by Vid Ingelevics