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Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.
Reshaping the Politics of Visual Representation
A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl
Do Cultural Institutions Repair or Reproduce Violence?
Do Cultural Institutions Repair or Reproduce Violence?
A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
Drawing Faces (in Terror Times): An Introduction
Drawing Faces (in Terror Times): An Introduction
by Edwin Nasr
Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.
Speaking Back to an Incomplete Archive
by Paula Carcamo
Wilhelm Sasnal attends the conversation series Artist Talk at the Stedelijk Museum on March 30, 2024. Photo: Remco Sijtzema.
Artist Talk: Wilhelm Sasnal
a conversation with Wilhelm Sasnal and Adam Szymczyk
Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis
Glitching the Museum
by Alicia Derksen
Fig. 6: Upper landing of the Stedelijk Museum. Photograph taken by Peter Tijhuis in 2024.
Rethinking collections: from a vitrine in use to a museum object
by Rosemarie Kramer
Miles Greenberg, Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024. Photo: Maarten Nauw.
Artist Talk: Marina Abramović and Miles Greenberg
Rein Wolfs and Karen Archey speak with Marina Abramović and Miles Greenberg
Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.
Artist Talk: Marina Abramović
Rein Wolfs and Karen Archey speak with Marina about her artistic practice
In the studio with Ana Lupas
In the studio with Ana Lupas
by Leontine Coelewij
The Infinity Universe. Oil on canvas.
Through the Roar of Cosmic Cataclysms
by Tatiana Kochubinska and Tetiana Zhmurko
To become an Abstraction
To become an Abstraction
by Katerina Sidorova
Tell Me a Story
Tell Me a Story
by Michelle Adler
Figure 2. Renzo Martens, Enjoy Poverty, remade neon sign from Episode 3 roaming an Amsterdam canal around the premiere of the film, November 2008. Photo: Jelle Bouwhuis.
Fail Better: SMBA (1993–2016) and the Limits of Institutional Critique
by Jelle Bouwhuis
Action Reaction Abstraction: New Primary Education Program
Action Reaction Abstraction: New Primary Education Program
by Lisa Jacobs
Kader Attia at the Stedelijk Museum Amsterdam’s Badkuip (Bathtub) Lecture series, given on 21 October 2023. Photo's by Maarten Nauw.
The Museum Reinvents Attention
by Kader Attia
“Looking Through the Lens of Support”: Museum-ing Within and Between Institutions
Looking Through the Lens of Support: Museum-ing Within and Between Institutions
by Alison Burstein
Figure 11 - Museum guards’ winning shooting team, The Metropolitan Museum of Art, 1930. Museum reference #: MM2930. Photographer: not recorded
I Came to the Museum...
by Vid Ingelevics
Figure 9. Installation view of the drawing machines in A Commonplace Book (2018) at House for Contemporary Art, Z33. Photo: Studio Chloki.
From Museum-going to Museum-ing: Visitors as Creative Agents within the Museum
by Jon Stam
Installation parts from the acclaimed Yayoi Kusama: A Retrospective exhibition at the Tel Aviv Museum of Art, turned into building waste on the day after its closing. Photo credit: Oded Bajayo.
The “Co-llection” – Attempting to Introduce a (Truly) Public Art Collection
by Or Tshuva and Karni Barzilay
Figure 2. The Outsiders Union and the Travelling Farm Museum of Forgotten Skills. Photo by Merel Zwarts.
Forgotten Worlds: Cultivating Museums Otherwise
by Colin Sterling and Asia Komarova
Michel de Klerk and Liesbeth van der Pol
Michel de Klerk and Liesbeth van der Pol
by Ingeborg de Roode
Figure 2. Ferdinand Ahm Krag, Hall of Psychopomps, 2022. Installation view, Museum for fremtiden, Kunsthal Aarhus & Sort/Hvid (2022). Photo by Emilia Therese.
Dramatizing the Museum
by Anders Thrue Djurslev
Figure 3. Installation view of Who I Am, Who We Are at the Nairobi National Museum. Photograph courtesy of Xavier Verhoest, 2015.
Decolonizing the National Museums of Kenya
by Kristina Dziedzic Wright
Figure 5. The Book of the Ten Thousand Things. Photo © the author.
Can museum be a spring, a forest?
by Yiou Penelope Peng
AnnaMaria Pinaka, “untitled” (part of series Thirsty Pig), 2022. Ink and watercolors. Photo by AnnaMaria Pinaka.
Stedelijk Studies Journal Issue #13 Editorial
roundtable with Meredith North, Kitty Zijlmans, Anna Maria Pinaka and Charl Landvreugd
No White in Sight
No White in Sight
by Vincent W.J. van Gerven Oei
Anti-Semitism in the 19th and early 20th centuries - More stories about works in the exhibition MODERN
Anti-Semitism in the 19th and early 20th centuries
by Maurice Rummens
Fig. 6 . Details of the back of the Stedelijk rocking chair where now unused stitching holes can be seen.
A nineteenth-century metal rocking chair
by Ingeborg de Roode and Stedelijk conservators
Bakhyt Bubikanova
Bakhyt Bubikanova
by Yuliya Sorokina