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Miles Greenberg, Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024. Photo: Maarten Nauw.
Rein Wolfs and Karen Archey speak with Marina Abramović and Miles Greenberg
Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.
Rein Wolfs and Karen Archey speak with Marina about her artistic practice
In the studio with Ana Lupas
by Leontine Coelewij
The Infinity Universe. Oil on canvas.
by Tatiana Kochubinska and Tetiana Zhmurko
To become an Abstraction
by Katerina Sidorova
Tell Me a Story
by Michelle Adler
Figure 11 - Museum guards’ winning shooting team, The Metropolitan Museum of Art, 1930. Museum reference #: MM2930. Photographer: not recorded
by Vid Ingelevics
Figure 2. The Outsiders Union and the Travelling Farm Museum of Forgotten Skills. Photo by Merel Zwarts.
by Colin Sterling and Asia Komarova
Figure 2. Ferdinand Ahm Krag, Hall of Psychopomps, 2022. Installation view, Museum for fremtiden, Kunsthal Aarhus & Sort/Hvid (2022). Photo by Emilia Therese.
by Anders Thrue Djurslev
Figure 3. Installation view of Who I Am, Who We Are at the Nairobi National Museum. Photograph courtesy of Xavier Verhoest, 2015.
by Kristina Dziedzic Wright
AnnaMaria Pinaka, “untitled” (part of series Thirsty Pig), 2022. Ink and watercolors. Photo by AnnaMaria Pinaka.
roundtable with Meredith North, Kitty Zijlmans, Anna Maria Pinaka and Charl Landvreugd
No White in Sight
by Vincent W.J. van Gerven Oei
Fig. 6 . Details of the back of the Stedelijk rocking chair where now unused stitching holes can be seen.
by Ingeborg de Roode and Stedelijk conservators
Bakhyt Bubikanova
by Yuliya Sorokina
Fig. 5. Fazle Shairmahomed, Goddess Coco and Paolo Yao, from Syncretism: Obia Woman/Creole Madonna. Photo: Noël Schut.
by Edward Akintola Hubbard
Fallen Leaves as a literary style and research methodology in the work of Vasily Rozanov
as a literary style and research methodology in the work of Vasily Rozanov by Katerina Sidorova
Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.
The Role of the Olfactory Sense in Contemporary Art Experience - by Jonas van Kappel