Research Logs, Essays, Conversations tagged with movement and migration

Figure 3. Remy Jungerman, Bakru, 2007, wood, textile, paper, plastic and plant materials, 220 × 300 × 38 cm. Collection Wereldmuseum. © Remy Jungerman. CC BY-NC-ND 4.0.

Wording Identities

,
by Olombi Bois
Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.

Artist Talk: Marina Abramović

Rein Wolfs and Karen Archey speak with Marina about her artistic practice
Fig. 5. Fazle Shairmahomed, Goddess Coco and Paolo Yao, from Syncretism: Obia Woman/Creole Madonna. Photo: Noël Schut.

Ava and Gabriel: An Exegesis

,
by Edward Akintola Hubbard
Yvette Mutumba during the "10 Years Bathtub: Open for the Open" lecture series. 24 September 2022. Photo: Ernst van Deursen.

In Museums We Trust

by Yvette Mutumba
On Things and Beings: The Affordances of Objects and Ways of Knowing

On Things and Beings: The Affordances of Objects and Ways of Knowing

by Amanda Pinatih and Britte Sloothaak
Persuasions in Liminal Spaces

Persuasions in Liminal Spaces

,
by Nafisa Rizvi
Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum

Music, Painting, Intuition, and Calculation

,
Sedje Hémon and the Stedelijk Museum
ABDIAS DO NASCIMENTO Pink Mulatto Woman: A Study for Oshun. Acrylic on canvas, 102 x 153 cm. Middletown, 1970 © IPEAFRO

Abdias do Nascimento: Being an Event of Love

,
by Bonaventure Soh Bejeng Ndikung
Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

,
A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli
How Textiles Talk and What They Have to Say. A Curatorial Introduction to the Exhibition Let Textiles Talk by Amanda Pinatih.

How Textiles Talk and What They Have to Say

,
Essay by Amanda Pinatih
The police officer examines the inside of her left middle finger. She is wearing a yellow hat with a silver police badge and a turquoise dress. Her fingernails are painted red. Her made-up face is partially covered by another hand, which is out of focus.

Ghita Skali, The Invaders, 2021

by Fabienne Chiang
Collector Culture of the Russian Avant-Garde

Collector Culture of the avant-garde from Imperial Russia and the Soviet Union

by Frank van Lamoen

Journal Articles tagged with movement and migration

Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

by Madelon van Schie
After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

by Fabienne Chiang
From Fiction to Knowledge Unveiling histories in contemporary cultural institutions

From Fiction to Knowledge

by Deiara Kouto and Anne Bielig
Modernism in Migration: Relocating Artists, Objects, and Ideas, 1910–1970

Modernism in Migration – Editorial

By Gregor Langfeld and Tessel M. Bauduin