Research Logs, Essays, Conversations tagged with artist practices

Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.

Reshaping the Politics of Visual Representation

A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl
Do Cultural Institutions Repair or Reproduce Violence?

Do Cultural Institutions Repair or Reproduce Violence?

A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
Wilhelm Sasnal attends the conversation series Artist Talk at the Stedelijk Museum on March 30, 2024. Photo: Remco Sijtzema.

Artist Talk: Wilhelm Sasnal

a conversation with Wilhelm Sasnal and Adam Szymczyk
Miles Greenberg, Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024. Photo: Maarten Nauw.

Artist Talk: Marina Abramović and Miles Greenberg

Rein Wolfs and Karen Archey speak with Marina Abramović and Miles Greenberg
Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.

Artist Talk: Marina Abramović

Rein Wolfs and Karen Archey speak with Marina about her artistic practice
In the studio with Ana Lupas

In the studio with Ana Lupas

by Leontine Coelewij
The Infinity Universe. Oil on canvas.

Through the Roar of Cosmic Cataclysms

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by Tatiana Kochubinska and Tetiana Zhmurko
To become an Abstraction

To become an Abstraction

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by Katerina Sidorova
Michel de Klerk and Liesbeth van der Pol

Michel de Klerk and Liesbeth van der Pol

by Ingeborg de Roode
Bakhyt Bubikanova

Bakhyt Bubikanova

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by Yuliya Sorokina
Lines of Sight #1: Almaty, Kazakhstan

Lines of Sight #1: Almaty, Kazakhstan

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by Robbie Schweiger
Architecture as Theater

Architecture as Theater

by Infraestudio
This still from IOU 4 USA depicts a square charcoal drawing held up by two hands. The drawing is of a frame from The Simpsons and shows an IOU note in Homer’s hands. The note reads: “DEAR USA I.O.U. LESS KANDERS SIGNED USA”.

Christine Sun Kim, IOU 4 USA, 2021

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by Fabienne Chiang
HITO STEYERL I WILL SURVIVE Tentoonstelling — 29 jan t/m 12 jun 2022

In the artist’s words: Barricade

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by Esiri Erheriene-Essi

Journal Articles tagged with artist practices

Figure 3b. Detail

Database Art and Design: Pioneering Strategies in the Arts towards Collecting and Archiving

by Sjoukje van der Meulen
Exile and Modernism: Theoretical and Methodological Reflections on the Exile of Artists in the 1930s and ’40s

Exile and Modernism: Theoretical and Methodological Reflections on the Exile of Artists in the 1930s and ’40s

By Sabine Eckmann
Modern Group Portraits in New York Exile

Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff

By Burcu Dogramaci

“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”

By Eva-Maria Troelenberg

A New Woman’s Exile in Buenos Aires: Grete Stern’s Photomontages between Feminism and Popular Culture

By Christina Wieder
Collecting Geographies

The Troubles with Temporality

By Bojana Kunst
Exploring Our Backyard - An investigation of the Stedelijk’s environmentally sustainable building operations

The Ocaña We Deserve

By Paul B. Preciado