Fellowship Wanini Kimemiah
Where The Wildflowers Are
by Jonathan Gathaara Sölanke Fraser
by Jonathan Gathaara Sölanke Fraser
December 7, 2024
Jonathan Gathaara Sölanke Fraser’s artistic contribution responds to the question, “how does it feel to be outside in the natural world?” In his poems Fraser explores personal connections to nature from two perspectives: the experience of moving through spaces often alienated by physical and conceptual barriers, and how “time” serves as a fluid medium that deepens our interior relationship to the world through seasonal changes and the rhythms of engagement with our surroundings.
This morning I went walking,
following the road as it inclined skyward.
Like the trees, and what other plants we might call weeds,
I incline myself as well
to greet the hill who responds in its own way with rolling mist and birdsong.
Each step carries me over
rock,
slick mollusc,
the traffic of ants,
Over and over time
And again tomorrow morning I will go walking.
This is how rivers are formed;
Boot walking over, body cutting through,
going nowhere really
just one more river on a hill.
One more hill making its own curved impositions up
against the horizon.
I have to be careful
to not trample the tender tips of creeping vines stretching onto my path.
It is taboo to walk over someone’s legs
so perhaps I should extend that same courtesy to this unnamed neighbour.
Unnamed because kahũrũra is too close to pumpkin and too far still from this vine –
my Kikuyu doesn’t extend wide enough
to cover this roadside ecosystem.
Unnamed, not unfamiliar.
Only a tongue unaccustomed to calling a castor plant instead,
mwarĩki.
A thought; perhaps terere tastes better than amaranth.
And the overgrown,
overlapping,
overzealous nettles in that ditch clamour for me to call them thabai and hatha.
Still, my tongue and lips,
My eyes and ears want to recognize the underbrush, copse and savannah
With names rooted in the same soils that we share.
Jonathan Gathaara Sölanke Fraser uses drawing as a means to engage with the world around him through a varied approach that includes observational sketching, plant pressing, digital image collection and writing. This multifarious interaction with his environment serves as a means for paying careful (and caring) attention to his environment.
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