Research Logs, Essays, Conversations tagged with usa

Visiting Fellow: Tina Campt in conversation with Rolando Vázquez Melken

Visiting Fellow: Tina Campt

by Tina Campt and Rolando Vázquez Melken
Do Cultural Institutions Repair or Reproduce Violence?

Do Cultural Institutions Repair or Reproduce Violence?

A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
No White in Sight

No White in Sight

by Vincent W.J. van Gerven Oei
This still from IOU 4 USA depicts a square charcoal drawing held up by two hands. The drawing is of a frame from The Simpsons and shows an IOU note in Homer’s hands. The note reads: “DEAR USA I.O.U. LESS KANDERS SIGNED USA”.

Christine Sun Kim, IOU 4 USA, 2021

,
by Fabienne Chiang
Fig. 2. Bruce Nauman - Seven Figures

Straight Innocence

Essay by Vincent W.J. van Gerven Oei

Journal Articles tagged with usa

Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

by Madelon van Schie
Figure 4. Douglas Davis, Two Cities, a Text, Flesh, and the Devil (1977), The Floating Museum. Courtesy of Lynn Hershman Leeson.

Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum

by Gabriella Giannachi
Exile and Modernism: Theoretical and Methodological Reflections on the Exile of Artists in the 1930s and ’40s

Exile and Modernism: Theoretical and Methodological Reflections on the Exile of Artists in the 1930s and ’40s

By Sabine Eckmann
Modern Group Portraits in New York Exile

Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff

By Burcu Dogramaci

“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”

By Eva-Maria Troelenberg

“École de Paris” In and Out of Paris (1928–1930): A Transregional Perspective on the Exhibitions of the “School of Paris” in Venice, Cambridge, Recife, São Paulo, and Rio de Janeiro

By Annabel Ruckdeschel

Labyrinth and Rhizome: On the Work of Walid Raad

By Christoph Chwatal

The Labyrinth: Metaphor and Method

By Paula Alaszkiewicz

Looking at the One and Only: The Return of the Single-Work Show

By Johanne Lamoureux, Mélanie Boucher and Marie Fraser

The Politics of Display

By Michael Neumeister

“Frame Me”: Speaking Out of Turn and Lorraine O’Grady’s Alien Avant-Garde

By Stephanie Sparling Williams

Colab Again

By Francesco Spampinato

Good (graphic) design

By Clemence Imbert