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Exhibition History

Rewriting or Reaffirming the Canon? Critical Readings of Exhibition History – Editorial

Colab Again

Exhibition History and the Institution as a Medium

Good (graphic) design

Documenting the Marvelous: The Risks and Rewards of Relying on Installation Photographs in the Writing of Exhibition History

Blinking brains, corporate spectacle, and the Atom Man

Reconstructing Cold War Cultural Diplomacy Exhibitions

Modes of Making Art History

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