Research Logs, Essays, Conversations tagged with participation

Artist Talk: Ibrahim Mahama

Artist Talk: Ibrahim Mahama

Conversation with Amanda Pinatih and Rein Wolfs

Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.

From Image to Smell

The Role of the Olfactory Sense in Contemporary Art Experience - by Jonas van Kappel

Pablo Picasso giving a drawing lesson to his children Paloma and Claude, and two friends. Photograph by Rene Burri / Magnum.

Rene Burri / Magnum.

Picasso and the Art of Children

Let Textiles Talk, Research Logs

by Amélie Martelle

Sung Tieu, Song Notes For Factories, 2021 From Fiction to Knowledge

Sung Tieu, Song Notes For Factories, 2021

Sketches for the Future

by Fabienne Chiang

An interview with Ali Selim

An interview with Ali Selim

Conversations, Let Textiles Talk, Research Logs

Log #6 by Amélie Martelle

Visitors of the Wissa Wassef Centre

Visitors of the Wissa Wassef Centre

Let Textiles Talk, Research Logs

Log #5 by Amélie Martelle

Journal Articles tagged with participation

Jan Mlčoch, Slapen II – Free Dormitory II, 1980. Installation shots. de Appel, Amsterdam. From de Appel Archive, Amsterdam. Courtesy of Jan Mlčoch.

Against the Current: Negotiating European Identities in a Still Divided World

Issue #14: Amsterdam: Reconsidering the Transnational

by Juliane Debeusscher

[Re]collection, [De]collection, and the People Curatorial Calibrating the preservation of memory and the dialectics of loss in the Palestinian Museum

[Re]collection, [De]collection, and the People Curatorial

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Ali T. As’ad

Fig. 1. The Salon in Migrant Artists in Paris at the Stedelijk. Photograph by the author, October 27, 2019.

In All Fairness: An Exploration of Ethical Collaborative Practices

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Najiba Yasmin

Figure 2. A cross-departmental team examines works on paper by artist Vija Celmins at SFMOMA in 2017.

Reimagining the Object Record: SFMOMA’s MediaWiki

Issue #10 - Digital Archives and Collections

by Martina Haidvogl and Layna White

Towards a Museum of Mutuality

Towards a Museum of Mutuality – Editorial

Issue #08 - Towards a Museum of Mutuality

By Vasiliki (Vasso) Belia, Rosemarie Buikema, Margriet Schavemaker, Emilie Sitzia and Rosa Wevers

Understanding Audience Participation Through Positionality: Agency, Authority, and Urgency

Issue #08 - Towards a Museum of Mutuality

By Lorna Cruickshanks and Merel van der Vaart

Changing the Game: Museum Research and the Politics of Inclusivity

Issue #08 - Towards a Museum of Mutuality

By Margriet Schavemaker

Fig. 1. Henry Fox Talbot, The Pencil of Nature, Plate III. Articles of China, 1844. Courtesy the Metropolitan Museum of Art, image number 1994.197.1 (3). In the book the image is presented as an example of photography’s capacity to record objects for documentary purposes.

Photography and Museums of Mutuality: A Metaphor

Issue #08 - Towards a Museum of Mutuality

By Elisavet Kalpaxi

Considering Competing Values in Art Museum Exhibition Curation

Issue #08 - Towards a Museum of Mutuality

By Pat Villeneuve

Dancing at the Museum: Parataxis and the Politics of Proximity in Beyoncé and Jay-Z’s “APESHIT”

Issue #08 - Towards a Museum of Mutuality

By Liedeke Plate

Towards Mutuality in International Museum Cooperation: Reflections on a Swiss-Ugandan Cooperative Museum Project

Issue #08 - Towards a Museum of Mutuality

By Thomas Laely, Marc Meyer, Amon Mugume and Raphael Schwere

Invisible Mazes—Visible Perceptions

Issue #07 - Lose Yourself!

By Pamela Bianchi

Niki de Saint Phalle Playing with the Feminine in the Male Factory: HON – en katedral

Issue #07 - Lose Yourself!

By Annika Öhrner

Within a Labyrinth of Gazes: Exhibiting Christoph Schlingensief

Issue #07 - Lose Yourself!

By Janneke Schoene

Between the Discursive and the Immersive

Between the Discursive and the Immersive – Editorial

Issue #04 - Between the Discursive and the Immersive

By Marie Laurberg and Margriet Schavemaker

Visitor Voices Between the Discursive and the Immersive

Issue #04 - Between the Discursive and the Immersive

By Helen Charman

Narrative Theories and Learning in Contemporary Art Museums: A Theoretical Exploration

Issue #04 - Between the Discursive and the Immersive

By Emilie Sitzia

For Whom Do We Write Exhibitions? Towards a Museum as Commons

Issue #04 - Between the Discursive and the Immersive

By Francesco Manacorda

Painting Into A Corner: The Pedagogic Agenda, the Immersive Mediation (and the Overdetermined Experience) of ‘Play Van Abbe 4’

Issue #04 - Between the Discursive and the Immersive

By Angela Bartholomew

To Touch and Be Touched

Issue #04 - Between the Discursive and the Immersive

By Saara Hacklin

A Thought Never Unfolds in One Straight Line

Issue #04 - Between the Discursive and the Immersive

By Christel Vesters

Curating Education, Staging the CV: Learning at Former West

Issue #04 - Between the Discursive and the Immersive

By Barbara Mahlknecht

Redistributing Knowledge and Practice in the Art Museum

Issue #04 - Between the Discursive and the Immersive

By Victoria Walsh

Black Mountain and Beyond – Research Practices between Universities and Museums

Issue #04 - Between the Discursive and the Immersive

By Annette Jael Lehmann and Anna-Lena Werner

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