Research Logs, Essays, Conversations tagged with germany

Fig. 5. Dino-Lite – Corner, Stedelijk Museum Amsterdam, April 9, 2024.

Uncovering the Mysteries of the Photography Collection: Robert Lebeck

by Janne van den Bergh in collaboration with Ana Carreres Llopis
Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.

Reshaping the Politics of Visual Representation

A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl
Do Cultural Institutions Repair or Reproduce Violence?

Do Cultural Institutions Repair or Reproduce Violence?

A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.

From Image to Smell

The Role of the Olfactory Sense in Contemporary Art Experience - by Jonas van Kappel
Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

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A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli

Journal Articles tagged with germany

From Fiction to Knowledge Unveiling histories in contemporary cultural institutions

From Fiction to Knowledge

by Deiara Kouto and Anne Bielig
Modern Group Portraits in New York Exile

Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff

By Burcu Dogramaci

“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”

By Eva-Maria Troelenberg

A New Woman’s Exile in Buenos Aires: Grete Stern’s Photomontages between Feminism and Popular Culture

By Christina Wieder

In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968

By Kristian Handberg

The Immigrant Continent

By Esra Akcan

The Iwalewahaus: Displaying Works of African Modernism

By Nadine Siegert

Black Mountain and Beyond – Research Practices between Universities and Museums

By Annette Jael Lehmann and Anna-Lena Werner
Sustainable or greenwashing? How to evaluate brands as a consumer.

Icons of the Performance Still

By Sarah Happersberger

‘Individual Mythologist’: Vulnerability, Generosity, and Relationality in Ulay’s Self-Imaging

By Amelia Jones

Modes of Making Art History

By Maria Bremer