Research Logs, Essays, Conversations tagged with germany
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Nikolai2024-09-27 14:21:212024-10-01 17:35:09Reshaping the Politics of Visual Representation
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Nikolai2024-09-27 12:36:532024-10-16 12:57:44Do Cultural Institutions Repair or Reproduce Violence?![Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.](https://stedelijkstudies.com/wp-content/uploads/2023/06/Fig-05-From-Image-to-Smell-800x450.jpg)
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Nikolai2023-06-15 15:18:372023-10-02 11:26:37From Image to Smell
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Nikolai2022-02-09 10:35:392023-10-03 12:04:40Looking Twice: The Presence of Absence in Die Brücke Art HistoriesJournal Articles tagged with germany
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Nikolai2022-01-11 11:19:032023-10-04 12:16:51From Fiction to Knowledge
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Editor2019-11-03 12:00:592023-10-04 16:44:05Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff
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Editor2019-11-02 09:00:182023-10-04 16:50:12“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”
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Editor2019-11-01 08:00:062023-10-06 15:31:28A New Woman’s Exile in Buenos Aires: Grete Stern’s Photomontages between Feminism and Popular Culture
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Editor2019-10-27 11:00:412023-10-06 16:06:56“Primitivism” in Migration: Ambivalence and Locality in South African Modernism
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Editor2018-10-01 13:38:592023-10-11 18:55:22The Labyrinth as an Exhibitionary Model: Form, Event, and Mode of Life
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Editor2018-09-27 21:37:322023-10-13 10:46:22George Maciunas and the Flux-Labyrinth (1974/1976): Staging a SoHo Way of Life
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Editor2018-09-26 13:13:522023-10-13 16:20:04In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968
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Editor2018-09-25 04:49:512023-10-13 16:22:35Within a Labyrinth of Gazes: Exhibiting Christoph Schlingensief
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Editor2018-09-23 13:14:392023-10-13 16:34:53On “On Otto”: Moving Images and the New Collectivity
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Editor2018-02-21 12:38:432023-10-16 13:07:56The Immigrant Continent
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Editor2018-02-19 11:17:452023-10-16 13:14:29Art: Don’t Fence Me In! The Correspondence Principle in European Art
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Editor2017-03-05 15:07:012024-06-12 10:54:50The Iwalewahaus: Displaying Works of African Modernism
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Nikolai2016-06-09 17:49:532023-10-17 13:27:29What’s in a Name? Questions for a New Monument
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Nikolai2016-06-09 17:44:072023-10-17 13:30:32Curating Education, Staging the CV: Learning at Former West
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Nikolai2016-06-09 17:38:342023-10-17 13:38:17Black Mountain and Beyond – Research Practices between Universities and Museums
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Nikolai2015-12-01 10:36:532023-10-17 14:49:56Traces and Documents as Medial Transformations, or: How to Access Performance Art History
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Nikolai2015-12-01 10:35:402023-10-17 17:54:53Icons of the Performance Still
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Nikolai2015-12-01 10:34:072023-10-17 18:03:38‘Individual Mythologist’: Vulnerability, Generosity, and Relationality in Ulay’s Self-Imaging
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Nikolai2015-07-17 14:39:312023-10-18 16:43:19Modes of Making Art History