All publications from the category Research Logs

Installation view, Pamela Rosenkranz – Liquid Body, Stedelijk Museum Amsterdam, 2025. Courtesy the artist, Karma International, Sprüth Magers and Miguel Abreu Gallery. Photo: Peter Tijhuis

On Plastic Disembodiment

by Simon Baier
Formafantasma – Oltre Terra, Stedelijk Museum Amsterdam, 2025.

Entangled with Sheep

by Victor Nieuwenhuizen
Vasily Chekrygin and the devils of avant-garde

Vasily Chekrygin and the Devils of Avant-garde

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by Katerina Sidorova
Fig. 5. Dino-Lite – Corner, Stedelijk Museum Amsterdam, April 9, 2024.

Uncovering the Mysteries of the Photography Collection: Robert Lebeck

by Janne van den Bergh in collaboration with Ana Carreres Llopis

The Don Quixote Sculpture Hall

by Tijmen Ter Keurs
Threads of Resistance

Threads of Resistance: Angela Su’s Hair Embroidery

by Chi-Chia Pao
Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.

Speaking Back to an Incomplete Archive

by Paula Carcamo
Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis

Glitching the Museum

by Alicia Derksen
Fig. 6: Upper landing of the Stedelijk Museum. Photograph taken by Peter Tijhuis in 2024.

Rethinking collections: from a vitrine in use to a museum object

by Rosemarie Kramer
In the studio with Ana Lupas

In the studio with Ana Lupas

by Leontine Coelewij
To become an Abstraction

To become an Abstraction

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by Katerina Sidorova
Tell Me a Story

Tell Me a Story

by Michelle Adler
Action Reaction Abstraction: New Primary Education Program

Action Reaction Abstraction: New Primary Education Program

by Lisa Jacobs
Michel de Klerk and Liesbeth van der Pol

Michel de Klerk and Liesbeth van der Pol

by Ingeborg de Roode
Fig. 5. Fazle Shairmahomed, Goddess Coco and Paolo Yao, from Syncretism: Obia Woman/Creole Madonna. Photo: Noël Schut.

Ava and Gabriel: An Exegesis

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by Edward Akintola Hubbard
Fallen Leaves as a literary style and research methodology in the work of Vasily Rozanov

Fallen Leaves

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as a literary style and research methodology in the work of Vasily Rozanov by Katerina Sidorova
Keith Haring drawing Amsterdam Notes in the Stedelijk Museum Amsterdam, March 1986. Photo: Rob Bogaerts, Nationaal Archief / Anefo. Amsterdam Notes © Keith Haring Foundation.

Keith Haring: Notes on Paper

by India Jeffes
Fig. 1. Eduard Cuypers, ink set, design 1905 or earlier, copper, brass, glass, made by Het Huis, Atelier voor Decoratieve Kunst, Amsterdam. Coll. Stedelijk Museum, Amsterdam, gift of D.J. Veltman en C.M. Veltman-Sonnenberg, Ouderkerk aan de Amstel

Expressive Decoration and Rational Rivets: An Ink Set by Eduard Cuypers

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by Kylièn Bergh and Ingeborg de Roode
Video still from Cauleen Smith, Space is the Place (A March for Sun Ra) (2011). Courtesy of the artist and Morán Morán.

Video Club: Social Dance

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by Loulou Oudshoorn
Lines of Sight #1: Almaty, Kazakhstan

Lines of Sight #1: Almaty, Kazakhstan

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by Robbie Schweiger
Yto Barrada: The Mothership in Tangier

Yto Barrada: The Mothership in Tangier

by Leontine Coelewij
(fig.1) Video Still from Ant Farm, Media Burn, 1975. Courtesy of Electronic Arts Intermix.

Video Club: Glued to the Tube: Picturing Violence in Mass Media

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by Janneke Schrage