Journal Articles tagged with institutions
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Editor2019-10-26 09:00:002023-10-06 16:13:10A Transnational Socialist Solidarity: Chittaprosad’s Prague Connection
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Editor2019-06-10 11:20:432023-10-06 16:18:04Towards a Museum of Mutuality – Editorial
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Editor2019-06-09 16:18:072023-10-06 16:22:26Understanding Audience Participation Through Positionality: Agency, Authority, and Urgency
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Editor2019-06-08 10:42:592023-10-11 18:12:03Changing the Game: Museum Research and the Politics of Inclusivity
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Editor2019-06-05 11:19:232023-10-11 18:26:27Decolonial Aesthesis and the Museum: An Interview with Rolando Vázquez Melken
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Editor2019-06-04 14:02:182023-10-11 18:34:29Temporality and Universalism in the Contemporary Ethnographic Museum: Two Collection Presentations at the Tropenmuseum
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Editor2019-06-03 10:56:472023-10-11 18:38:21Dancing at the Museum: Parataxis and the Politics of Proximity in Beyoncé and Jay-Z’s “APESHIT”
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Editor2019-06-02 16:51:002023-10-11 18:42:06Towards Mutuality in International Museum Cooperation: Reflections on a Swiss-Ugandan Cooperative Museum Project
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Editor2018-10-02 12:26:222023-10-11 18:52:44The Labyrinthine Exhibition: A New Genre
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Editor2018-10-01 12:00:562023-10-11 18:57:57Invisible Mazes—Visible Perceptions
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Editor2018-09-26 13:13:522023-10-13 16:20:04In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968
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Editor2018-02-25 15:40:442023-10-16 12:51:41Whatever Happened to Ground Euro? The Borders of Brussels
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Editor2018-02-17 12:38:392023-10-16 13:20:40When Crisis Becomes Form: Athens as a Paradigm
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Editor2017-09-23 22:12:112023-10-16 13:26:21Curating the Collection – Editorial
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Editor2017-09-23 22:11:072023-10-16 13:28:26Curating the Stedelijk Collection: A Roundtable Discussion
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Editor2017-03-05 15:10:492023-10-16 18:20:39Handle with Care: The influence of New Institutionalism on Collection Displays in Italian Contemporary Art Museums
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Editor2017-03-05 15:08:522023-10-16 18:27:58The Shifting Paradigm in Developing Chinese Contemporary History: Collectors of Contemporary Art and the Dynamic Dialogue between the Private and Public in China
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Editor2017-03-05 15:06:192023-10-16 18:34:13Looking at the One and Only: The Return of the Single-Work Show
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Stedelijk2017-03-05 15:03:292023-10-17 11:50:18New Exposure: The Arab Image Foundation and the Curatorial
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Stedelijk2017-03-05 15:00:242023-10-17 12:02:42Temporal Conflicts and the Purification of Hybrids in the 21st-Century Art Museum: Tate, a Case in Point
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Stedelijk2016-06-09 17:56:442023-10-17 13:14:32Painting Into A Corner: The Pedagogic Agenda, the Immersive Mediation (and the Overdetermined Experience) of ‘Play Van Abbe 4’
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Stedelijk2016-06-09 17:50:512023-10-17 13:25:26A Thought Never Unfolds in One Straight Line
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Stedelijk2016-06-09 17:38:342023-10-17 13:38:17Black Mountain and Beyond – Research Practices between Universities and Museums
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Stedelijk2015-12-01 10:32:472023-10-17 18:11:47Pathways in Performance (in and around Cambodia)?
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Stedelijk2015-07-30 08:48:122023-10-17 19:14:43Rewriting or Reaffirming the Canon? Critical Readings of Exhibition History – Editorial
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Stedelijk2015-07-30 07:00:272023-10-17 19:17:53Colab Again
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Stedelijk2015-07-20 09:34:512023-10-17 19:21:06Exhibition History and the Institution as a Medium
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Stedelijk2015-07-17 18:25:032023-10-18 16:35:11Blinking brains, corporate spectacle, and the Atom Man
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Stedelijk2015-07-17 16:52:352023-10-18 16:38:54Reconstructing Cold War Cultural Diplomacy Exhibitions
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Stedelijk2015-07-17 14:39:312023-10-18 16:43:19Modes of Making Art History
