• Journal
    • Journal Issues
      • Current Issue – Issue #14
      • Issue #13
      • Issue #12
      • Archive
    • About the Journal
      • Aims and Scope
      • Author Guidelines
      • People
      • Ethics
    • Journal Search
      • Search all Journal Articles
  • Projects
    • Research Projects
      • Stedelijk Studies Masters
      • Mortality as Matter
      • Here for Now, Then and There
      • Sketches For The Future
      • Lines of Sight
      • Staff Shares
      • Rakurs
    • Exhibitions
      • MODERN — Van Gogh, Rietveld, Léger and others
      • Exhibition Felix de Rooy — Apocalypse
      • IT’S OUR F***ING BACKYARD
      • Surinamese School
    • Fellowships
      • Editorial & Research Fellowships
      • Fellow Sooyoung Leam
      • Fellow Wanini Kimemiah
      • Fellow Katerina Sidorova
    • Szine
      • Szine is an irregularly published zine that shares pressing research on the subjectivity of the museum in the cultural landscape
    • All projects
      • Ranging from brisk exhibitions to long-term research initiatives, encompassing Szine and Stedelijk Museum Fellowships
  • Research Logs
  • Essays
  • Conversations
  • About
    • About Stedelijk Studies
    • Collaborations
    • People
    • Contact
  • Search
  • Menu Menu
  • Link to Instagram Link to Instagram Link to Instagram
Follow a manual added link
Doc-text Doc-text

Fellowship Wanini Kimemiah

The Secret Apothecary

by Cynthia Nyakiro Ngunjiri

December 6, 2024

Editorial Note

Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal plants. Emphasizing the importance of sharing this wisdom for healing and connection to the land, she reflects on how this knowledge has helped restore her health and maintain harmony in her life.

The natural world has always held a special place in my heart, making this project deeply meaningful to me. It has offered a way to honour my family’s heritage, as my great-great-grandfather was a herbalist and his knowledge of plant medicine has been passed down through the generations. I am continually awed by the miraculous ability of plants to heal in such a non-invasive and holistic manner.

In my research, I came across a diverse range of plants—trees, shrubs, and weeds. Although I began the project with some knowledge of medicinal plants, I was excited to explore the uncharted realm of weeds and uncover their medicinal properties. I decided to concentrate on these weeds because they grow plentifully in our surroundings, are easily accessible, and only require a discerning forager rather than a farmer.

Previous Previous PreviousNext Next Next
123456789
Open image in lightbox: The Secret Apothecary 01 Open image in lightbox: The Secret Apothecary 01
Open image in lightbox: The Secret Apothecary 02 Open image in lightbox: The Secret Apothecary 02
Open image in lightbox: The Secret Apothecary 03 Open image in lightbox: The Secret Apothecary 03
Open image in lightbox: The Secret Apothecary 04 Open image in lightbox: The Secret Apothecary 04
Open image in lightbox: The Secret Apothecary 05 Open image in lightbox: The Secret Apothecary 05
Open image in lightbox: The Secret Apothecary 06 Open image in lightbox: The Secret Apothecary 06
Open image in lightbox: The Secret Apothecary 07 Open image in lightbox: The Secret Apothecary 07
Open image in lightbox: The Secret Apothecary 08 Open image in lightbox: The Secret Apothecary 08
Open image in lightbox: The Secret Apothecary 09 Open image in lightbox: The Secret Apothecary 09
Cynthia Nyakiro Ngunjiri, Munathi (Cocos nucifera), Muthunga (Sonchus Oleraceus), Mucii (Leonotis Mollissima), Muchege (Bidens Pilosa), 2024, digital motif drawings.

I only discovered mũnathi’s medicinal properties while researching for this project. Previously, I viewed the plant with suspicion, associating its fruit with the sodom apple (ndongu) and the kay apple (kaiyaba), which we were advised against touching as children. I was pleasantly surprised to learn of its medicinal benefits and delicious taste, as reported by others. I haven’t yet tried it myself, but now that I understand its importance, I look forward to exploring it.

Mũthũnga, which we affectionately called the “wishing dudu” as children, evokes memories of childhood magic—the delight of making a wish and sending it out to the universe. As I grew older, the enchantment of the “wishing dudu” faded. Learning about its numerous curative properties has reminded me that magic can be found in even the most unexpected places. I was initially captivated by the vibrant flowers of the mũcii, blooming freely in the open fields on my family’s land. Their striking orange blooms always seemed perfect for a bouquet.

Of all the weeds, mũchege stands out as the most persistent. During visits to my grandparents’ farm, my socks, shoes, and trousers would become covered in its prickly seeds, requiring considerable effort to remove. Though I once considered it a nuisance, I now recognise that even the most troublesome things can provide relief and benefits.

In exploring these often overlooked weeds, I’ve found that beauty truly exists in the most unexpected places. Each plant, from the humble mũnathi to the resilient mũchege, reveals a profound lesson about our connectedness to the land and the potential for healing ourselves. By delving into their hidden virtues, we not only enhance our understanding of the natural world but also renew our connection to life itself. These discoveries remind us that even in the most unassuming corners of our environment, there lies a wealth of wisdom and wonder, inviting us to embrace and cherish the intricate tapestry of existence.

This article is tagged with:
artist practices (33)graphic design (8)kenya (7)

About the Author

Cynthia Nyakiro Ngunjiri is a Kenyan contemporary artist living and working in Nairobi. She holds a bachelor’s degree in Fine Art and Design from Kenyatta University. Through her work, she explores the relationships between the natural environment, human interactions, and the metaphysical. Guided by intuition, she merges various media such as recycled paper, X-rays, magazine cutouts, ink, bleach, scrap metal, dried plants, and photography, creating a practice genuinely inspired by history and her surroundings. In her own words: “I like to gather various objects, observing their nature, taking them apart, and grouping them together. I view every material I collect for my pieces as having infinite lives. By distorting and pasting different bits and pieces together, I breathe life into them—giving them new significance.” Nyakiro has displayed her artwork at various venues in Nairobi, including the National Museums of Kenya and Ardhi Gallery, as well as at Turner Contemporary and Lancaster House in the United Kingdom.

To Spring From Salted Earth

To Spring From Salted Earth

by Wanini Kimemiah
December 12, 2024/by Stedelijk

Wingi wa Mti si_ni Maiti

by Alexis G. Teyie
December 8, 2024/by Stedelijk

Where The Wildflowers Are

by Jonathan Gathaara Sölanke Fraser
December 7, 2024/by Stedelijk

Shades of Green

by Mwende Ngao
December 5, 2024/by Stedelijk

Abnormal Load Notice

by Wairimũ Mũrĩithi
December 4, 2024/by Stedelijk

Help Us Our Land

by V for 5
December 3, 2024/by Stedelijk

If nature has it.

by Fataba Kakulatombo
December 2, 2024/by Stedelijk

SCARS

by Sandra Nekh
December 1, 2024/by Stedelijk

Now at the Stedelijk

Erwin Olaf - Freedom

Erwin Olaf – Freedom

Newsletter

Subscribe to Stedelijk Museum’s Academic Newsletter.

Share this page

  • Facebook Facebook Share on Facebook
  • Whatsapp Whatsapp Share on WhatsApp
  • Pinterest Pinterest Share on Pinterest
  • Linkedin Linkedin Share on LinkedIn

Stedelijk Studies on Instagram

Connect to Stedelijk Studies on Instagram

Subscribe to the Stedelijk Museum Academic Newsletter

Get the latest research, insights, and updates from Stedelijk Studies. Subscribe to the Stedelijk Museum’s Academic Newsletter.

© 2025 Stedelijk Studies.
  • Link to Instagram Link to Instagram Link to Instagram
  • Disclaimer
  • Colophon
  • Contact
  • Cookie Policy
  • Privacy Statement
Scroll to top Scroll to top Scroll to top
Stedelijk Studies
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}