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  • Modernism in Migration

    Relocating Artists, Objects, and Ideas, 1910–1970

Modernism in Migration

Stedelijk Studies Issue #9 – Fall 2019

November 5, 2019/by Editor

Modernism in Migration – Editorial

By Gregor Langfeld and Tessel M. Bauduin
November 4, 2019/by Editor

Exile and Modernism: Theoretical and Methodological Reflections on the Exile of Artists in the 1930s and ’40s

By Sabine Eckmann
November 3, 2019/by Editor

Modern Group Portraits in New York Exile: Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff

By Burcu Dogramaci
November 2, 2019/by Editor

“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”

By Eva-Maria Troelenberg
November 1, 2019/by Editor

A New Woman’s Exile in Buenos Aires: Grete Stern’s Photomontages between Feminism and Popular Culture

By Christina Wieder
October 31, 2019/by Editor

“École de Paris” In and Out of Paris (1928–1930): A Transregional Perspective on the Exhibitions of the “School of Paris” in Venice, Cambridge, Recife, São Paulo, and Rio de Janeiro

By Annabel Ruckdeschel
October 30, 2019/by Editor

From São Paulo to Paris and Back Again: Tarsila do Amaral

By Camila Maroja
October 29, 2019/by Editor

Cubism in Iran: Jalil Ziapour and the Fighting Rooster Association

By Katrin Nahidi
October 28, 2019/by Editor

Art and Artists Crossing Borders: Untold Stories of the First Iraqi Art Exhibition in the USSR

By Olga Nefedova
October 27, 2019/by Editor

“Primitivism” in Migration: Ambivalence and Locality in South African Modernism

By Lisa Hörstmann
October 26, 2019/by Editor

A Transnational Socialist Solidarity: Chittaprosad’s Prague Connection

By Simone Wille

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Stedelijk Studies Journal is an open-access, peer-reviewed scholarly journal published by the Stedelijk Museum Amsterdam.

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