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Fellowship Wanini Kimemiah

Where The Wildflowers Are

by Jonathan Gathaara Sölanke Fraser

December 7, 2024

Editorial Note

Jonathan Gathaara Sölanke Fraser’s artistic contribution responds to the question, “how does it feel to be outside in the natural world?” In his poems Fraser explores personal connections to nature from two perspectives: the experience of moving through spaces often alienated by physical and conceptual barriers, and how “time” serves as a fluid medium that deepens our interior relationship to the world through seasonal changes and the rhythms of engagement with our surroundings.

Where do rivers go? by Jonathan Gathaara Sölanke Fraser
Where do rivers go? by Jonathan Gathaara Sölanke Fraser

Where do rivers go?

This morning I went walking,

following the road as it inclined skyward.

Like the trees, and what other plants we might call weeds,

I incline myself as well

to greet the hill who responds in its own way with rolling mist and birdsong.

Each step carries me over

rock,

slick mollusc,

the traffic of ants,

Over and over time

And again tomorrow morning I will go walking.

This is how rivers are formed;

Boot walking over, body cutting through,

going nowhere really

just one more river on a hill.

One more hill making its own curved impositions up

against the horizon.

I Know You From Somewhere

I have to be careful

to not trample the tender tips of creeping vines stretching onto my path.

It is taboo to walk over someone’s legs

so perhaps I should extend that same courtesy to this unnamed neighbour.

Unnamed because kahũrũra is too close to pumpkin and too far still from this vine –

my Kikuyu doesn’t extend wide enough

to cover this roadside ecosystem.

Unnamed, not unfamiliar.

Only a tongue unaccustomed to calling a castor plant instead,

mwarĩki.

A thought; perhaps terere tastes better than amaranth.

And the overgrown,

overlapping,

overzealous nettles in that ditch clamour for me to call them thabai and hatha.

Still, my tongue and lips,

My eyes and ears want to recognize the underbrush, copse and savannah

With names rooted in the same soils that we share.

This article is tagged with:
artist practices (33)fellowship (8)kenya (7)poem (1)

About the Author

Jonathan Gathaara Sölanke Fraser uses drawing as a means to engage with the world around him through a varied approach that includes observational sketching, plant pressing, digital image collection and writing. This multifarious interaction with his environment serves as a means for paying careful (and caring) attention to his environment.

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