• Journal
    • Journal Issues
      • Current Issue – Issue #14
      • Issue #13
      • Issue #12
      • Archive
    • About the Journal
      • Aims and Scope
      • Author Guidelines
      • People
      • Ethics
    • Journal Search
      • Search all Journal Articles
  • Projects
    • Research Projects
      • Stedelijk Studies Masters
      • Mortality as Matter
      • Here for Now, Then and There
      • Sketches For The Future
      • Lines of Sight
      • Staff Shares
      • Rakurs
    • Exhibitions
      • MODERN — Van Gogh, Rietveld, Léger and others
      • Exhibition Felix de Rooy — Apocalypse
      • IT’S OUR F***ING BACKYARD
      • Surinamese School
    • Fellowships
      • Editorial & Research Fellowships
      • Fellow Sooyoung Leam
      • Fellow Wanini Kimemiah
      • Fellow Katerina Sidorova
    • Szine
      • Szine is an irregularly published zine that shares pressing research on the subjectivity of the museum in the cultural landscape
    • All projects
      • Ranging from brisk exhibitions to long-term research initiatives, encompassing Szine and Stedelijk Museum Fellowships
  • Research Logs
  • Essays
  • Conversations
  • About
    • About Stedelijk Studies
    • Collaborations
    • People
    • Contact
  • Search
  • Menu Menu
  • Link to Instagram Link to Instagram Link to Instagram
Follow a manual added link
Search Search

Research Log: IT’S OUR F***ING BACKYARD

The Slow Growth of Societal Awareness

about Resource Depletion and the laborious start of Environmentally Conscious Design

by Ab Stevels

Editorial Note

On the occasion of the exhibition It’s our F***ing Backyard. Designing Material Futures the Stedelijk commissioned emeritus professor Ab Stevels of TU Delft to write a set of Research Logs about the use of sustainable materials and the history of its design and application. Drawing from decades of experience in both design, industry, and academic fields, in this set of logs he addresses what designers and companies can do to become more sustainable. but also how as consumers, we can all become more vigilant of companies that might be greenwashing their activities.

The Limits to Growth (1972)

In its 1972 report The Limits to Growth, the ‘Club of Rome’ made explicit what everyone had already suspected (and is very much aware of now), i.e., the global supply of resources will eventually be insufficient to meet the basic needs of the growing population. To illustrate this inevitable conclusion with quantitative data (and qualitative where the former was lacking), the report’s authors employed a so-called ‘world computer model’. Such a model was revolutionary fifty years ago, but was too primitive by the standards of today.

The warnings of the ‘Club of Rome’ were received as an ‘unpleasant truth’, particularly in the West, where mass consumerism was now fueling a postwar economic boom.

Part of the group of 17 scientists who published their findings in the book The Limits to Growth, 1972. From left to right: Jørgen Randers, Jay Forrester, Donella Meadows, Dennis Meadows, William Behrens. Photo from The Club of Rome official website.

Part of the group of 17 scientists who published their findings in the book The Limits to Growth, 1972. From left to right: Jørgen Randers, Jay Forrester, Donella Meadows, Dennis Meadows, William Behrens. Photo from The Club of Rome official website.

The ‘Club of Rome’ was a private organization of well-known thought leaders, but none of them was well connected to politics. As a result, they failed to achieve their goal of ‘alerting the world to the gravity of the situation and encouraging governments to take concrete action.’

In fact, they achieved the very opposite, because their computer simulation had been too simplistic, and the data fed into their model turned out to be partially incorrect. Furthermore, it did not take into consideration the fact that evolving technology would likely mitigate some of the effects that were predicted. ‘Critics’ pounced on the model, declaring its findings inconclusive, which was news that many, including politicians, were more than happy to accept. The substance of the report’s highly plausible warning was conveniently ignored, and the publication faded from public consciousness soon after its release.

Our Common Future (1987)

Renewed interest in the issue of materials and sustainability arose after 1987, following the publication of a report entitled Our Common Future, also known as the Brundtland Report. This one was produced under the auspices of the United Nations by the World Commission on Environment and Development, chaired by Gro Brundtland, an internationally renowned politician. It was a somewhat more polished affair than ‘The Limits to Growth’, and thus more carefully worded. Moreover, the subject of population growth—as a phenomenon at the heart of sustainability problems—was completely avoided.

Nevertheless, the issue of the ‘finite supply of resources’ was laid out very clearly, and this prompted action in several countries, including the Netherlands.

The report also raised a new issue: emissions, particularly SO₂ emissions (which cause forest degradation) and NOₓ emissions (which cause soil acidification, a problem the Netherlands is currently still facing in a somewhat different form).

Climate change was barely mentioned, but ozone (O₃) was named as a greenhouse gas. CO₂ emissions were – at the time of publication – seen as a potential problem that needed further investigation. The report prompted the establishment of the IPCC (International Panel on Climate Change), but the panel’s first few reports (1990, 1993 and 1995) were still riddled with uncertainty. However, the Kyoto Protocol with the first goals for the reduction of CO₂ was adopted already a few years later (in 1997)

The start of Environmentally Conscious Design: ‘Design for Material Futures

The Brundtland report managed to accomplish what the report Our Common Future failed to do earlier. It generated a positive response, particularly in the design community. Among the countries leading the charge was the Netherlands, where a manual (The Manual for Environmentally Conscious Design) was produced. It was adopted by eight companies in a series of admittedly heavily subsidized pilot programs named PROMISE projects (1992).

The manual contained a list of Life-Cycle Design (LiDS) strategies that focused heavily on materials (contains them still, as LiDS remain very much in use):

  1. Optimize functional performance.
  2. Choose materials with a low environmental impact: with ample availability, without latent toxicity, preferably recycled or at least recyclable material.
  3. Reduce your use of materials.
  4. Employ energy- and material-efficient production techniques (which will result in, among other things, less auxiliary materials, less waste).
  5. Environmentally friendly distribution; consideration of packaging materials and packaging volume.
  6. Environmental efficiency in the use phase (power consumption, but also with respect to auxiliary materials used in this phase).
  7. Optimize service life and consider repairability.
  8. Optimize the end of service life (EoSL) system (incorporating an assessment of reuse potential).

The PROMISE projects were in themselves a great success, particularly in regard to strategies 1, 3, and 5, thus demonstrating how much can be achieved in next to no time even in typically conservative business environments.

However, all attempts to replicate this success in regular business operations failed, because the projects had been established as isolated entities whose operation typically relied on ‘external’ support. Thus, once a project had demonstrated its validity, the team assigned to it was simply disbanded. Consequently, none of the learnings from the project were integrated into the processes and procedures of the participating companies, thus ensuring continuity of practice.

In addition, the product development departments of the participating companies were often poorly informed about the strategies. Other departments, including those responsible for product management, knew even less. This resulted in considerable resistance to any suggestions of change. As a result, all efforts ended with the production of a single prototype.

The experience shows that strategies for environmentally conscious design are not enough when executed in isolation. Managers and employees belonging to the various parts of the complete internal value chain of a business must at the very least accept the concept of environmentally conscious design and, if possible, internalize it to the extent that it becomes both standard practice and self-evident. For such purpose an organization needs ‘champions of environmental design’ who can lead by example. Such champions need primarily to be considered as ‘one of us’ and not to be parachuted from outside Being one of the greatest environmental designers is not a first requirement.

The Manual for Environmentally Conscious Design

has become a reference document of everything relating to the environment that designers need to consider in the course of their work. However, practical implementation of the recommendations therein has turned out to be a slow learning process. People wanting to move forward in the field typically have to start by asking: ‘why are things as they are’ and what can be done to make things better from an environmental perspective?’ The answers to such questions lead to the first ‘environmental action agenda’. Because of the way such an agenda has been developed it is easily understandable. Moreover, acceptance within the organization is guaranteed. Once the first successes on the basis of such an agenda have been achieved, more and more sophistication can be built into subsequent versions. This way, the organization ‘is taken by the hand’. Therefore, the real successful approach appears to be: ‘learn to walk before you run, and perhaps with sufficient training, you may win the race.’

Inspired by the manual, designers burning with environmental zeal wanted—and still often want—to go whole hog immediately, but that just doesn’t work in practice. This tension between ambition and reality goes to the very heart of the drama of environmentally conscious design that has played out in various ways over the past three decades. Let’s hope we don’t witness a repeat of this in the implementation of sustainable and circular design!

This article is tagged with:
business management (4)degrowth (2)design (29)neoliberalism (3)research design (13)sustainability and environment (11)the netherlands (93)

About the Author

Albert (“Ab”) Stevels studied Chemical Engineering at the Technical University of Eindhoven and took a PhD degree in Physics and Chemistry at Groningen University. He has worked for Royal Philips Electronics in manifold capacities in materials research, glass production technology, as a business manager in electro-optics, and as a project manager for joint ventures and licensing in Asia. These experiences helped him develop the concept of Applied EcoDesign and integrate it into day-to-day business operations. He has also conducted a great deal of in-depth research on the treatment of discarded electronics, the findings of which helped lay the groundwork for setting up take-back and recycling systems at Philips NL. In 1995 Ab was appointed professor in Environmental Design at Delft University of Technology. He has had visiting professorships at several universities including Stanford University, TU Berlin, Georgia Institute of Technology, NTN University in Trondheim, and Tsinghua University in Beijing. He also worked with the University of Sao Paulo to develop an MBA program and Sustainability course.

Stevels is the author of some 200 journal articles and conference contributions. For more on his experiences with green design and in-house management of ‘eco’ and e-waste, see his book Adventures in EcoDesign of Electronic Products.

IT’S OUR F***ING BACKYARD

How to Inspire Sustainable Practices
August 24, 2022/by Stedelijk

How to Inspire Sustainable Practices

by Ab Stevels
Disassembly session by students during ‘Applied EcoDesign’ classes by Ab Stevels at TU Delft from 1997 to 2008.
August 24, 2022/by Stedelijk

A Step-by-Step Guide to Applied Environmental Design

by Ab Stevels
Designing for the Circular Economy
August 24, 2022/by Stedelijk

Designing for the Circular Economy

by Ab Stevels
The interplay of Industrial Design, Functionality and Resource Consumption
August 22, 2022/by Stedelijk

The interplay of Industrial Design, Functionality and Resource Consumption

by Ab Stevels
Sustainable or greenwashing? How to evaluate brands as a consumer.
August 22, 2022/by Stedelijk

Sustainable or greenwashing?

by Ab Stevels

Now at the Stedelijk

Karel Martens - Unbound

Karel Martens – Unbound

Newsletter

Subscribe to Stedelijk Museum’s Academic Newsletter.

Share this page

  • Facebook Facebook Share on Facebook
  • Whatsapp Whatsapp Share on WhatsApp
  • Pinterest Pinterest Share on Pinterest
  • Linkedin Linkedin Share on LinkedIn

Stedelijk Studies on Instagram

Connect to Stedelijk Studies on Instagram

Subscribe to the Stedelijk Museum Academic Newsletter

Get the latest research, insights, and updates from Stedelijk Studies. Subscribe to the Stedelijk Museum’s Academic Newsletter.

© 2025 Stedelijk Studies.
  • Link to Instagram Link to Instagram Link to Instagram
  • Disclaimer
  • Colophon
  • Contact
  • Cookie Policy
  • Privacy Statement
Scroll to top Scroll to top Scroll to top
Stedelijk Studies
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
View preferences
{title} {title} {title}