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Editorial Note: Generating Production
Editorial Note: Generating Production
by Sooyoung Leam
Networked States, Stately Networks, and Representation’s Political Orders
Networked States, Stately Networks, and Representation’s Political Orders
by Ho Rui An
Performance view of Ichihara Satoko/Q’s KITTY (ROHM Theatre Kyoto Repertory Premiere, February 2025). Text and direction: Ichihara Satoko, Cast: Birdy Wong Chingyan, Hanamoto Yuka, Nagayama Yurie, Sung Soo-yeon. Produced by ROHM Theatre Kyoto. Courtesy of Nakatani Toshiaki.
A Travel Guide: From “One Region” to “That Region”
by Yi Moon-seok
Grafting onto What Was Once Broken: Production Notes on Fire in Water
Grafting onto What Was Once Broken:
by Nagata Kosuke
Tiger specimens in storage at an undisclosed location. Photo: Unmake Lab, 2023.
Machine Fables
by Unmake Lab
A Dialogue on AI Ethics: Agency, Transparency, and Practicality
A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Koh Achim and Cheon Hyundeuk
What We Are Losing
What We Are Losing
by Jeon Youjin
Amanda Heng, Let’s Chat Further, 2025, installation view. Photo: National Gallery Singapore
Amanda Heng’s Let’s Chat Further and Retired Singirl
by Kathleen Ditzig and Ryan Ho
Park Seo-Bo’s sketch of Void of Space and Genetic Factor and Space. SPACE, no. 39 (February 1970), 12–13.
How Was the “Future” Planned and Rejected?
Between Expo ’67 and Expo ’70 by Park Sohyun
Mathematician Norbert Wiener, whose publication Cybernetics: Or Control and Communication in the Animal and the Machine (1948) laid the theoretical foundation for a.o. artificial intelligence, 6 February 1964. Courtesy of M.I.T. archives.
On the Human Mode of Operation
by Lee Sooyon
Shin Jinyoung, Moriyama Marie, Yap Seok Hui, The Story of Us: How it Began and What We Dream, 2024. Courtesy of apparat/us. Photo: Swan Park.
A Dialogue on a Life in the Making
by Shin Jinyoung and Sooyoung Leam
Female gathering and chanting. Photo: AFSAR, Baode Shantang (報德善堂), Heping Town (和平鎭), Shantou, China, 2025.
Doomsday: A Time Capsule from Stranded Time Travelers
by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry and Sun Park
Dai Chenlian, Big Nothing, 2018, performance, single-channel video, color, sound, 50 min. Courtesy of the artist.
A Couplet
by Mi You
A photo of the editorial fellow and working group members taken at the fifth working group gathering at the Woman Open Tech Lab, May 15, 2025. From the left: Gu Juhyeon (curatorial assistant, MMCA), Yi Moon-seok (managerof MMCA Residency Goyang),Tiffany Yeon Chae (curator, MMCA), Sooyoung Leam (editorial fellowindependent curator·art historian), Jeon Youjin (director, Woman Open Tech Lab), Shin Jinyoung (director, apparat/us),and Eugene Hannah Park(member of contemporary art collective AFSAR·assistant curator of Korean Pavilion at the 2026Venice Biennale).
MMCA Studies x Stedelijk Studies Working Group 1
Generating Production
Working Group 2, February 13, 2025, Stedelijk Museum Amsterdam.
MMCA Studies × Stedelijk Studies Working Group 2
Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
MMCA Studies × Stedelijk Studies Working Group 3 Asia’s Role in Relation to Generative Production
MMCA Studies × Stedelijk Studies Working Group 3
Asia’s Role in Relation to Generating Production
Working Group 4, April 18, 2025, Woman Open Tech Lab, Seoul.
MMCA Studies × Stedelijk Studies Working Group 4
Productivity and Humanity in the Age of AI
Installation view, Pamela Rosenkranz – Liquid Body, Stedelijk Museum Amsterdam, 2025. Courtesy the artist, Karma International, Sprüth Magers and Miguel Abreu Gallery. Photo: Peter Tijhuis
On Plastic Disembodiment
by Simon Baier
Formafantasma – Oltre Terra, Stedelijk Museum Amsterdam, 2025.
Entangled with Sheep
by Victor Nieuwenhuizen
Exhibition view General Idea, Stedelijk Museum Amsterdam, 2023. Photo: Peter Tijhuis. © Stedelijk Museum Amsterdam.
Curation and the Visitor Experience
by Tom Polleau
Curatorial Activism Through a Feminist Lens
Curatorial Activism Through a Feminist Lens
by Valeria Mari
Figure 3. Remy Jungerman, Bakru, 2007, wood, textile, paper, plastic and plant materials, 220 × 300 × 38 cm. Collection Wereldmuseum. © Remy Jungerman. CC BY-NC-ND 4.0.
Wording Identities
by Olombi Bois
Keeping Track of Time
Keeping Track of Time
by India Jeffes
Comparing Two Exhibitions on 19th-Century Design at the Stedelijk Museum Amsterdam
MODERN?
by Ginger van den Akker.
Vasily Chekrygin and the devils of avant-garde
Vasily Chekrygin and the Devils of Avant-garde
by Katerina Sidorova
Fig. 5. Dino-Lite – Corner, Stedelijk Museum Amsterdam, April 9, 2024.
Uncovering the Mysteries of the Photography Collection: Robert Lebeck
by Janne van den Bergh in collaboration with Ana Carreres Llopis
The Don Quixote Sculpture Hall
by Tijmen Ter Keurs
Wanini Kimemiah, Cytospernum leptophyllum, cyanotype on watercolour paper, 2024. Courtesy of the artist.
To Spring From Salted Earth
by Wanini Kimemiah
Visiting Fellow: Tina Campt in conversation with Rolando Vázquez Melken
Visiting Fellow: Tina Campt
by Tina Campt and Rolando Vázquez Melken
Wingi wa Mti si_ni Maiti
Wingi wa Mti si_ni Maiti
by Alexis G. Teyie