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Figure 5. Contact sheet with views of the fair “Europe Against the Current” at Beurs van Berlage and the public on the Beursplein, 1989. Photo: Pieter Boersma.

Stedelijk Studies Journal Issue #14 Editorial

Transnational Curatorial Practice: Amsterdam

Transnational Curatorial Practice: Amsterdam from 1970s

Figure 4. Hipólito Ocalia, Seroe grandi, Curçao, 1967, oil on plywood, 62 × 122.5 cm. Collection Stedelijk Museum Amsterdam.

Willem Sandberg, Chris Engels, and the Midcentury “Birth” of Modern Art in Curaçao

Figure 13. Joseph Zaritsky, Composition, 1946, watercolor on paper, 37 × 55 cm. Collection Stedelijk Museum Amsterdam.

Zaritsky/Rusli: A Multidirectional Approach to Curating International Modern Art

Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

Jan Mlčoch, Slapen II – Free Dormitory II, 1980. Installation shots. de Appel, Amsterdam. From de Appel Archive, Amsterdam. Courtesy of Jan Mlčoch.

Against the Current: Negotiating European Identities in a Still Divided World

Fig. 5. Hoepla #2, 1967, black and white tape recording, 56 min 24 sec. Collection Stedelijk Museum Amsterdam.

“Een merkwaardig misverstand”: Postcolonial reflections on Hoepla

Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism

Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism

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