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Exhibition: MODERN — Van Gogh, Rietveld, Léger and others
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EXHIBITION

MODERN —

Van Gogh, Rietveld, Léger and others

Modern. The word means different things to different people. But how did the concept of modern originate and develop? What was considered “modern” in visual arts and design between approximately 1840 and 1940? Where did modern artists get their inspiration and purpose from?

MODERN — Van Gogh, Rietveld, Léger and others sheds new light on nineteenth- and early twentieth-century modern artists and designers who wanted not only to work for the elite, but also to reach as many people as possible. At the time European artists who felt that their gains from individual freedom had been paid for with the loss of direct involvement in society turned to “community art” or art for everyone. Committed designers who were inspired by technological and social modernity were not only concerned with beauty, but also with the “true” and the “good.” Well-designed utensils, for instance, could positively influence people and their environments.

The relationships between European and extra-European visual art and design—from appropriation to interactions— are examined through several exemplary objects. The exhibition includes works by R.W. Winfield, Michael Thonet, William Morris, Vincent van Gogh, Kawanabe Kyōsai, Jozef Israëls, George Hendrik Breitner, Suze Robertson, Suzanne Valadon, Jan Toorop, H.P. Berlage, Gerrit Rietveld, Marcel Breuer, Margaret Bourke-White, Fernand Léger and A.M. Cassandre, among others. These works are accompanied by a selection of objects from New Guinea, Suriname, the Democratic Republic of the Congo, Fiji, and Japan, made by artists and designers whose names we, unfortunately, do not know.

The exhibition is accompanied by a publication of the same name. It includes in-depth texts by the exhibition’s curators: curator of industrial design Ingeborg de Roode examines the significance of metal for developments in furniture design; academic researcher Maurice Rummens delves into “community art” and the influence of modern artists in society; Bas Heijne also reviews the role of the modern artist in contemporary society through Jan Toorop’s triptych at Beurs van Berlage; and an interview with Rolando Vázquez Melken views European modernism from a decolonial perspective. The exhibition catalogue is for sale at the museum shop in English and Dutch. We share a couple of these essential conversations exclusively through our research platform.

Exhibition: MODERN — Van Gogh, Rietveld, Léger and others

MODERN — Van Gogh, Rietveld, Léger and others is generously supported by the Blockbusterfonds. It is on view at the Stedelijk Museum from 18 May until 24 September 2023.

Resarch Logs, Essays, Conversations

let’s plunge

Anti-Semitism in the 19th and early 20th centuries

by Maurice Rummens
October 11, 2023/by Stedelijk

A nineteenth-century metal rocking chair

by Ingeborg de Roode and Stedelijk conservators
September 27, 2023/by Stedelijk

Expressive Decoration and Rational Rivets: An Ink Set by Eduard Cuypers

by Kylièn Bergh and Ingeborg de Roode
May 19, 2023/by Stedelijk

Geometry Turning Into “Modernity”?

by Ginger van den Akker
May 16, 2023/by Stedelijk

Decolonizing Modernism(s)

Rolando Vázquez Melken and the Stedelijk curators
May 11, 2023/by Stedelijk

From Modern to Modernism

Introduction by Maurice Rummens and Ingeborg de Roode
May 9, 2023/by Stedelijk

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