Research Logs, Essays, Conversations tagged with paintings

Fig. 3: watu wa mwituni, 2022, oil on paper. Courtesy of the artist.
Sawangwongse Yawnghwe, The 2nd of March 1962, Rangoon, Burma, 2016, acrylic on canvas, 210 cm x 405 cm. Courtesy the artist.

Reshaping the Politics of Visual Representation

A conversation with Ruanne Abou-Rahme, Iris Kensmil, Edwin Nasr, Sawangwongse Yawnghwe and Vivian Ziherl
Do Cultural Institutions Repair or Reproduce Violence?

Do Cultural Institutions Repair or Reproduce Violence?

A conversation with Mary Enoch Elizabeth Baxter, Edwin Nasr, Rijin Sahakian, Zoé Samudzi, Maboula Soumahoro and Sanjukta Sunderason.
The Infinity Universe. Oil on canvas.

Through the Roar of Cosmic Cataclysms

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by Tatiana Kochubinska and Tetiana Zhmurko
To become an Abstraction
No White in Sight

No White in Sight

by Vincent W.J. van Gerven Oei
Yto Barrada: The Mothership in Tangier
Persuasions in Liminal Spaces
Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum
ABDIAS DO NASCIMENTO Pink Mulatto Woman: A Study for Oshun. Acrylic on canvas, 102 x 153 cm. Middletown, 1970 © IPEAFRO
Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

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A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli
Fig. 2. Bruce Nauman - Seven Figures

Straight Innocence

Essay by Vincent W.J. van Gerven Oei

Journal Articles tagged with paintings

Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.
Modern Group Portraits in New York Exile