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Research Logs, Essays, Conversations tagged with movement and migration

Futurist Aleksei Kruchenykh lies in the hands of Mikhail Matyushin and Kazimir Malevich, Saint Petersburg, 1913. Photograph by Karl Bulla.

A Hidden Dedication

Essays, Rakurs
On Iliazd’s Poésie de mots inconnus in the Nikolai Khardzhiev Library - essay by Daria Kobzeva
July 30, 2026
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Artist Talk: Ibrahim Mahama

Artist Talk: Ibrahim Mahama

Conversations
Conversation with Amanda Pinatih and Rein Wolfs
January 28, 2026
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Figure 3. Remy Jungerman, Bakru, 2007, wood, textile, paper, plastic and plant materials, 220 × 300 × 38 cm. Collection Wereldmuseum. © Remy Jungerman. CC BY-NC-ND 4.0.

Wording Identities

Essays, Stedelijk Studies Masters 2025
by Olombi Bois
April 8, 2025
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Rein Wolfs, Karen Archey and Marina Abramović at the conversation series Artist Talk at the Stedelijk Museum on March 17, 2024.

Artist Talk: Marina Abramović

Conversations
Rein Wolfs and Karen Archey speak with Marina about her artistic practice
May 31, 2024
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Anti-Semitism in the 19th and early 20th centuries - More stories about works in the exhibition MODERN

Anti-Semitism in the 19th and early 20th centuries

Essays, MODERN — Van Gogh, Rietveld, Léger and others
by Maurice Rummens
October 11, 2023
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Fig. 5. Fazle Shairmahomed, Goddess Coco and Paolo Yao, from Syncretism: Obia Woman/Creole Madonna. Photo: Noël Schut.

Ava and Gabriel: An Exegesis

Exhibition Felix de Rooy Apocalypse, Research Logs
by Edward Akintola Hubbard
July 19, 2023
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Yvette Mutumba during the "10 Years Bathtub: Open for the Open" lecture series. 24 September 2022. Photo: Ernst van Deursen.

In Museums We Trust

Essays
by Yvette Mutumba
November 22, 2022
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On Things and Beings: The Affordances of Objects and Ways of Knowing

On Things and Beings: The Affordances of Objects and Ways of Knowing

Conversations
by Amanda Pinatih and Britte Sloothaak
November 14, 2022
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Persuasions in Liminal Spaces

Persuasions in Liminal Spaces

Abstracting Parables, Essays
by Nafisa Rizvi
October 11, 2022
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Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum

Music, Painting, Intuition, and Calculation

Abstracting Parables, Essays
Sedje Hémon and the Stedelijk Museum
October 4, 2022
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ABDIAS DO NASCIMENTO Pink Mulatto Woman: A Study for Oshun. Acrylic on canvas, 102 x 153 cm. Middletown, 1970 © IPEAFRO

Abdias do Nascimento: Being an Event of Love

Abstracting Parables, Essays
by Bonaventure Soh Bejeng Ndikung
September 22, 2022
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Art as Colonial Contact Zone

Art as Colonial Contact Zone

Essays, Kirchner and Nolde: Expressionism. Colonialism.
Essay by Paul Basu
March 29, 2022
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In a get-together recorded as a podcast (with video) in the new collection presentation of the Stedelijk Museum Amsterdam, renowned cultural theorist Mieke Bal took part in a conversation about interdisciplinary research on the basis of the concepts of narratology, migratory aesthetics, and politics versus the political.

Looking at Art through Cultural Analysis: Mieke Bal

Conversations, Here for Now, Then and There, Research Logs
by Britte Sloothaak
March 9, 2022
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Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

Essays, Kirchner and Nolde: Expressionism. Colonialism.
A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli
February 9, 2022
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How Textiles Talk and What They Have to Say. A Curatorial Introduction to the Exhibition Let Textiles Talk by Amanda Pinatih.

How Textiles Talk and What They Have to Say

Essays, Let Textiles Talk
Essay by Amanda Pinatih
December 16, 2021
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The artists hand appears holding a blue, slightly transparent audio cassette tape. On the top of the tape on a white label, the work title, “WHAT WE PUT IN THE SKAFTHINI (MIXAPENAYANA)” appears written in all-caps in black marker.

Simnikiwe Buhlungu, What We Put in the Skafthini (Mixtapenyana), 2021

Sketches for the Future
by Danica Pinteric
December 2, 2021
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The police officer examines the inside of her left middle finger. She is wearing a yellow hat with a silver police badge and a turquoise dress. Her fingernails are painted red. Her made-up face is partially covered by another hand, which is out of focus.

Ghita Skali, The Invaders, 2021

Sketches for the Future
by Fabienne Chiang
November 15, 2021
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Collector Culture of the Russian Avant-Garde

Collector Culture of the avant-garde from Imperial Russia and the Soviet Union

Rakurs
by Frank van Lamoen
October 21, 2021
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Languages of Resistance and Protest in Dutch-Surinamese Painting

Languages of Resistance and Protest in Dutch-Surinamese Painting

Essays, Surinamese School
Essay by Oneika Russel
July 1, 2021
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Page 1 of 3123

Journal Articles tagged with movement and migration

Figure 5. Contact sheet with views of the fair “Europe Against the Current” at Beurs van Berlage and the public on the Beursplein, 1989. Photo: Pieter Boersma.

Stedelijk Studies Journal Issue #14 Editorial

Issue #14: Amsterdam: Reconsidering the Transnational
by Elize Mazadiego and Daniel Ricardo Quiles
September 24, 2024
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Transnational Curatorial Practice: Amsterdam

Transnational Curatorial Practice: Amsterdam from 1970s

Issue #14: Amsterdam: Reconsidering the Transnational
An Online Conversation
September 24, 2024
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Figure 13. Joseph Zaritsky, Composition, 1946, watercolor on paper, 37 × 55 cm. Collection Stedelijk Museum Amsterdam.

Zaritsky/Rusli: A Multidirectional Approach to Curating International Modern Art

Issue #14: Amsterdam: Reconsidering the Transnational
by Kerstin Winking
September 23, 2024
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Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

Issue #14: Amsterdam: Reconsidering the Transnational
by Madelon van Schie
September 23, 2024
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Jan Mlčoch, Slapen II – Free Dormitory II, 1980. Installation shots. de Appel, Amsterdam. From de Appel Archive, Amsterdam. Courtesy of Jan Mlčoch.

Against the Current: Negotiating European Identities in a Still Divided World

Issue #14: Amsterdam: Reconsidering the Transnational
by Juliane Debeusscher
September 20, 2024
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Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism

Claudio Goulart and His Artistic Critique of the Ideology of Multiculturalism

Issue #14: Amsterdam: Reconsidering the Transnational
by Pablo Santa Olalla
September 19, 2024
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After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

Issue #11 – The Stedelijk Museum Amsterdam at 125 years
by Fabienne Chiang
January 12, 2022
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Revisiting Wim Beeren’s European Utopia: Wanderlieder Thirty Years Later

Revisiting Wim Beeren’s European Utopia: Wanderlieder Thirty Years Later

Issue #11 – The Stedelijk Museum Amsterdam at 125 years
by Joanna Mardal
January 12, 2022
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Exhibition Surinamese School

Exhibiting Surinamese Histories of Art: Curatorial Approaches Towards Diversity

Issue #11 – The Stedelijk Museum Amsterdam at 125 years
by Oscar Ekkelboom
January 11, 2022
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Fig. 1. The Salon in Migrant Artists in Paris at the Stedelijk. Photograph by the author, October 27, 2019.

In All Fairness: An Exploration of Ethical Collaborative Practices

Issue #11 – The Stedelijk Museum Amsterdam at 125 years
by Najiba Yasmin
January 11, 2022
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From Fiction to Knowledge Unveiling histories in contemporary cultural institutions

From Fiction to Knowledge

Issue #11 - Addendum
by Deiara Kouto and Anne Bielig
January 11, 2022
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Page 1 of 3123

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