Research Logs, Essays, Conversations tagged with digitisation

(fig.1) Video Still from Ant Farm, Media Burn, 1975. Courtesy of Electronic Arts Intermix.

Video Club: Glued to the Tube: Picturing Violence in Mass Media

Research Logs, Video Club

by Janneke Schrage

Sustainable or greenwashing? How to evaluate brands as a consumer.

Sustainable or greenwashing?

It’s our F-ing Backyard, It’s our F-ing Backyard by Ab Stevels, Research Logs

by Ab Stevels

This still from IOU 4 USA depicts a square charcoal drawing held up by two hands. The drawing is of a frame from The Simpsons and shows an IOU note in Homer’s hands. The note reads: “DEAR USA I.O.U. LESS KANDERS SIGNED USA”.

Christine Sun Kim, IOU 4 USA, 2021

Research Logs, Sketches for the Future

by Fabienne Chiang

Journal Articles tagged with digitisation

[Re]collection, [De]collection, and the People Curatorial Calibrating the preservation of memory and the dialectics of loss in the Palestinian Museum

[Re]collection, [De]collection, and the People Curatorial

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Ali T. As’ad

Fig. 2. Storage room of the Stedelijk Museum Library. Photo: Fabian Landewee

Reading as Sculpture: A new layer for the library in ruins

Issue #11 - Artistic Contribution

by Mariana Lanari

Digital Archives and Collections

Imagining the Future of Digital Archives and Collections – Editorial

Issue #10 - Digital Archives and Collections

by Vivian van Saaze, Claartje Rasterhoff, and Karen Archey

BigData Color study-3 11408 x7768 pixels Geert Mul 2015 Courtesy Galerie Ron Mandos Amsterdam

Innovative Digital Infrastructures: The Issue of Sustainability

Issue #10 - Digital Archives and Collections

An Online Roundtable Discussion

Image 3: Metadata of a record from the Bibliotheca Hertziana in METS format.

Biases within Digital Repositories: The Getty Research Portal

Issue #10 - Digital Archives and Collections

by Hande Sever

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

Seep Between the Mortar: Sociotechnical Imaginaries in Digital Media at Tate

Issue #10 - Digital Archives and Collections

by Lucy Bayley

Fig.1. SEACHINA.NET Socially Engaged Art in Contemporary China

Digital Art Archives in Asia for the Public Domain: A Conversation with Bo Zheng and Lu Pan

Issue #10 - Digital Archives and Collections

by Sjoukje van der Meulen

Figure 4. Douglas Davis, Two Cities, a Text, Flesh, and the Devil (1977), The Floating Museum. Courtesy of Lynn Hershman Leeson.

Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum

Issue #10 - Digital Archives and Collections

by Gabriella Giannachi

Fig. 1. Word cloud based on the working definitions of digital humanities provided by participants of the Research Libraries UK project ‘The role of Research Libraries in the creation, archiving, curation, and preservation of tools for the Digital Humanities’.

Partnering through Collections in Digital Humanities: Looking at Researchers’ Needs

Issue #10 - Digital Archives and Collections

by Christina Kamposiori

Figure 2. A cross-departmental team examines works on paper by artist Vija Celmins at SFMOMA in 2017.

Reimagining the Object Record: SFMOMA’s MediaWiki

Issue #10 - Digital Archives and Collections

by Martina Haidvogl and Layna White

Andrea Fraser, Information Room in Genius Loci, Kunsthalle Bern, 1998. Courtesy of Kunsthalle Bern.

Archives without a Lobby: On the Situation of Institutional Holdings in Galleries and Art Museums

Issue #10 - Digital Archives and Collections

by Philipp Messner

Fig. 3. The fire at the Museu Nacional, September 2, 2018. Image credit: Fabio Teixeira/Picture Alliance Via Getty Images.

Tropical Fantasia: Towards a New Archivo-Museological Imaginary

Issue #10 - Digital Archives and Collections

by Ana Helena Arévalo

Figure 3b. Detail

Database Art and Design: Pioneering Strategies in the Arts towards Collecting and Archiving

Issue #10 - Digital Archives and Collections

by Sjoukje van der Meulen

Editor-in-Chief’s Pick - Engines of Order: A Mechanology of Algorithmic Techniques

Editor in Chief’s Pick – Engines of Order: A Mechanology of Algorithmic Techniques

Issue #10 - Digital Archives and Collections

by Bernhard Rieder

New Exposure: The Arab Image Foundation and the Curatorial

Issue #05 - Curating the Collection

By Daniel Berndt

The Algorithm as Curator: In Search of a Non-Narrated Collection Presentation

Issue #05 - Curating the Collection

By Manique Hendricks

Temporal Conflicts and the Purification of Hybrids in the 21st-Century Art Museum: Tate, a Case in Point

Issue #05 - Curating the Collection

By Victoria Walsh and Andrew Dewdney

Discursive versus Immersive: The Museum is the Massage

Issue #04 - Between the Discursive and the Immersive

by Mark Wigley

Painting Into A Corner: The Pedagogic Agenda, the Immersive Mediation (and the Overdetermined Experience) of ‘Play Van Abbe 4’

Issue #04 - Between the Discursive and the Immersive

By Angela Bartholomew

Redistributing Knowledge and Practice in the Art Museum

Issue #04 - Between the Discursive and the Immersive

By Victoria Walsh

Black Mountain and Beyond – Research Practices between Universities and Museums

Issue #04 - Between the Discursive and the Immersive

By Annette Jael Lehmann and Anna-Lena Werner

Collecting Geographies

Editorial Stedelijk Studies: Topical, Urgent, High-Quality

Issue #01 - Collecting Geographies

By Margriet Schavemaker

Museum Practices and Migrating Modernity: A Perspective from the South

Issue #01 - Collecting Geographies

By Celeste Ianniciello and Michaela Quadraro

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