Research Logs, Essays, Conversations tagged with curatorial practices

Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.

Speaking Back to an Incomplete Archive

by Paula Carcamo

Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis

Glitching the Museum

by Alicia Derksen

In the studio with Ana Lupas

In the studio with Ana Lupas

by Leontine Coelewij

Tell Me a Story

Tell Me a Story

by Michelle Adler

No White in Sight

No White in Sight

by Vincent W.J. van Gerven Oei

Anti-Semitism in the 19th and early 20th centuries - More stories about works in the exhibition MODERN

Anti-Semitism in the 19th and early 20th centuries

Essays, MODERN — Van Gogh, Rietveld, Léger and others

by Maurice Rummens

Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.

From Image to Smell

The Role of the Olfactory Sense in Contemporary Art Experience - by Jonas van Kappel

Fig. 3: Graphic interpretation by Print the Future of Moringa oleifera, a plant used for its immune qualities and its ability to protect against evil when worn as an amulet. Original image courtesy of the author. Photo: Dito Yuwono.

On Re-enchantment and Cosmic Hopes

by Mira Asriningtyas

Yvette Mutumba during the "10 Years Bathtub: Open for the Open" lecture series. 24 September 2022. Photo: Ernst van Deursen.

In Museums We Trust

by Yvette Mutumba

On Things and Beings: The Affordances of Objects and Ways of Knowing

On Things and Beings: The Affordances of Objects and Ways of Knowing

by Amanda Pinatih and Britte Sloothaak

Intern Valeria Mari (left) and Press Officer Marie-José Raven (right) in conversation at the Stedelijk Museum Amsterdam, 2022. Photo: Carlos Zepeda.

Staff Shares #3

Conversations, Staff Shares

Marie-José Raven interviewed by Valeria Mari

Yto Barrada: The Mothership in Tangier

Yto Barrada: The Mothership in Tangier

by Leontine Coelewij

Staff Shares #2 - Leontine Coelewij interviewed by Valeria Mari

Staff Shares #2

Conversations, Staff Shares

Leontine Coelewij interviewed by Valeria Mari

Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum

Music, Painting, Intuition, and Calculation

Abstracting Parables, Essays

Sedje Hémon and the Stedelijk Museum

Ekow Eshun interviewed by Amanda Pinatih

Race, Colonialism, and the Climate Crisis

Conversations, It’s our F-ing Backyard, It’s our F-ing Backyard - Part 1, Research Logs

What Artists and Designers Can Do. Ekow Eshun interviewed by Amanda Pinatih

In a get-together recorded as a podcast (with video) in the new collection presentation of the Stedelijk Museum Amsterdam, renowned cultural theorist Mieke Bal took part in a conversation about interdisciplinary research on the basis of the concepts of narratology, migratory aesthetics, and politics versus the political.

Looking at Art through Cultural Analysis: Mieke Bal

Conversations, Here for Now, Then and There, Research Logs

by Britte Sloothaak

Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

Essays, Kirchner and Nolde: Expressionism. Colonialism.

A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli

How Textiles Talk and What They Have to Say. A Curatorial Introduction to the Exhibition Let Textiles Talk by Amanda Pinatih.

How Textiles Talk and What They Have to Say

Essays, Let Textiles Talk

Essay by Amanda Pinatih

Fig. 2. Bruce Nauman - Seven Figures

Straight Innocence

Essay by Vincent W.J. van Gerven Oei

An interview with Ali Selim

An interview with Ali Selim

Conversations, Let Textiles Talk, Research Logs

Log #6 by Amélie Martelle

Journal Articles tagged with curatorial practices

Figure 9. Installation view of the drawing machines in A Commonplace Book (2018) at House for Contemporary Art, Z33. Photo: Studio Chloki.

From Museum-going to Museum-ing: Visitors as Creative Agents within the Museum

Issue #13 – Museum-ing

by Jon Stam

After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Fabienne Chiang

[Re]collection, [De]collection, and the People Curatorial Calibrating the preservation of memory and the dialectics of loss in the Palestinian Museum

[Re]collection, [De]collection, and the People Curatorial

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Ali T. As’ad

Exhibition Surinamese School

Exhibiting Surinamese Histories of Art: Curatorial Approaches Towards Diversity

Issue #11 – The Stedelijk Museum Amsterdam at 125 years

by Oscar Ekkelboom

From Fiction to Knowledge Unveiling histories in contemporary cultural institutions

From Fiction to Knowledge

Issue #11 - Addendum

by Deiara Kouto and Anne Bielig

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

Seep Between the Mortar: Sociotechnical Imaginaries in Digital Media at Tate

Issue #10 - Digital Archives and Collections

by Lucy Bayley

“École de Paris” In and Out of Paris (1928–1930): A Transregional Perspective on the Exhibitions of the “School of Paris” in Venice, Cambridge, Recife, São Paulo, and Rio de Janeiro

Issue #09 - Modernism in Migration

By Annabel Ruckdeschel

Understanding Audience Participation Through Positionality: Agency, Authority, and Urgency

Issue #08 - Towards a Museum of Mutuality

By Lorna Cruickshanks and Merel van der Vaart

Changing the Game: Museum Research and the Politics of Inclusivity

Issue #08 - Towards a Museum of Mutuality

By Margriet Schavemaker

Fig. 1. Henry Fox Talbot, The Pencil of Nature, Plate III. Articles of China, 1844. Courtesy the Metropolitan Museum of Art, image number 1994.197.1 (3). In the book the image is presented as an example of photography’s capacity to record objects for documentary purposes.

Photography and Museums of Mutuality: A Metaphor

Issue #08 - Towards a Museum of Mutuality

By Elisavet Kalpaxi

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