Research Logs, Essays, Conversations tagged with curatorial practices

Figure 3. Remy Jungerman, Bakru, 2007, wood, textile, paper, plastic and plant materials, 220 × 300 × 38 cm. Collection Wereldmuseum. © Remy Jungerman. CC BY-NC-ND 4.0.

Wording Identities

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by Olombi Bois
Keeping Track of Time

Keeping Track of Time

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by India Jeffes
Comparing Two Exhibitions on 19th-Century Design at the Stedelijk Museum Amsterdam

MODERN?

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by Ginger van den Akker.

The Don Quixote Sculpture Hall

by Tijmen Ter Keurs
Threads of Resistance

Threads of Resistance: Angela Su’s Hair Embroidery

by Chi-Chia Pao
Violeta Parra, Fresia y Caupolicán (Fresia and Caupolicán) (detail), 1964–65, dyed jute fabric with embroidery, 142 × 196 × 4.5 cm. Colección Violeta Parra, Pontificia, Universidad Católica de Chile. © Fundación Violeta Parra, courtesy of Colección Violeta Parra, Pontificia Universidad Católica de Chile.

Speaking Back to an Incomplete Archive

by Paula Carcamo
Installation view Post/No/Bills #5 — Hezin O — BHLNTTTX, Stedelijk Museum Amsterdam, 2024. Photo: Peter Tijhuis

Glitching the Museum

by Alicia Derksen
In the studio with Ana Lupas

In the studio with Ana Lupas

by Leontine Coelewij
Tell Me a Story

Tell Me a Story

by Michelle Adler
No White in Sight

No White in Sight

by Vincent W.J. van Gerven Oei
Fig. 5. Alexis Blake, 'rock to jolt [ ] stagger to ash', 2021. Performance, exhibition space with architectural interventions, dim lighting, fragrance, tabloid publication. Prix de Rome 2021. Photo: Daniel Nicolas.

From Image to Smell

The Role of the Olfactory Sense in Contemporary Art Experience - by Jonas van Kappel
Fig. 3: Graphic interpretation by Print the Future of Moringa oleifera, a plant used for its immune qualities and its ability to protect against evil when worn as an amulet. Original image courtesy of the author. Photo: Dito Yuwono.

On Re-enchantment and Cosmic Hopes

by Mira Asriningtyas
Yvette Mutumba during the "10 Years Bathtub: Open for the Open" lecture series. 24 September 2022. Photo: Ernst van Deursen.

In Museums We Trust

by Yvette Mutumba
On Things and Beings: The Affordances of Objects and Ways of Knowing

On Things and Beings: The Affordances of Objects and Ways of Knowing

by Amanda Pinatih and Britte Sloothaak
Intern Valeria Mari (left) and Press Officer Marie-José Raven (right) in conversation at the Stedelijk Museum Amsterdam, 2022. Photo: Carlos Zepeda.

Staff Shares #3

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Marie-José Raven interviewed by Valeria Mari
Yto Barrada: The Mothership in Tangier

Yto Barrada: The Mothership in Tangier

by Leontine Coelewij
Staff Shares #2 - Leontine Coelewij interviewed by Valeria Mari

Staff Shares #2

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Leontine Coelewij interviewed by Valeria Mari
Music, Painting, Intuition and Calculation: Sedje Hémon and the Stedelijk Museum

Music, Painting, Intuition, and Calculation

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Sedje Hémon and the Stedelijk Museum
Ekow Eshun interviewed by Amanda Pinatih

Race, Colonialism, and the Climate Crisis

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What Artists and Designers Can Do. Ekow Eshun interviewed by Amanda Pinatih
Looking Twice: The Presence of Absence in Die Brücke Art Histories

Looking Twice: The Presence of Absence in Die Brücke Art Histories

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A Critical Reflection on the exhibition "Kirchner and Nolde: Expressionism. Colonialism." by Lisa Hilli

Journal Articles tagged with curatorial practices

Figure 4. Hipólito Ocalia, Seroe grandi, Curçao, 1967, oil on plywood, 62 × 122.5 cm. Collection Stedelijk Museum Amsterdam.

Willem Sandberg, Chris Engels, and the Midcentury “Birth” of Modern Art in Curaçao

by Stephanie Lebas Huber
Figure 3. Roberto Matta, Vietnam, 1965, oil on canvas, 205 × 298. Gift from Foundation Vincent Van Gogh, 1969. Collection Stedelijk Museum Amsterdam.

“A loving interest”: U-ABC: Paintings, sculptures, photos from Uruguay, Argentina, Brazil, Chile

by Madelon van Schie
After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

After(-)Images: Problematizing Collections of Early Documentary Photography in the Art Museum

by Fabienne Chiang