Research Logs, Essays, Conversations tagged with creative labor

Bakhyt Bubikanova

Bakhyt Bubikanova

by Yuliya Sorokina
Keith Haring drawing Amsterdam Notes in the Stedelijk Museum Amsterdam, March 1986. Photo: Rob Bogaerts, Nationaal Archief / Anefo. Amsterdam Notes © Keith Haring Foundation.

Keith Haring: Notes on Paper

by India Jeffes
Fig. 3: Graphic interpretation by Print the Future of Moringa oleifera, a plant used for its immune qualities and its ability to protect against evil when worn as an amulet. Original image courtesy of the author. Photo: Dito Yuwono.

On Re-enchantment and Cosmic Hopes

by Mira Asriningtyas
Emma Harjadi Herman interviewed by Valeria Mari

Staff Shares #4

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Emma Harjadi Herman interviewed by Valeria Mari
Architecture as Theater

Architecture as Theater

by Infraestudio
Intern Valeria Mari (left) and Press Officer Marie-José Raven (right) in conversation at the Stedelijk Museum Amsterdam, 2022. Photo: Carlos Zepeda.

Staff Shares #3

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Marie-José Raven interviewed by Valeria Mari
Staff Shares #2 - Leontine Coelewij interviewed by Valeria Mari

Staff Shares #2

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Leontine Coelewij interviewed by Valeria Mari
Staff Shares #1 - Gwen Parry interviewed by Valeria Mari

Staff Shares #1

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Gwen Parry interviewed by Valeria Mari
YOUTH: Inside the Creation of a Sensorial Dystopic Labyrinthine

YOUTH: Inside the Creation of a Sensorial Dystopic Labyrinthine

Vincent van Velsen goes behind the scenes
Ekow Eshun interviewed by Amanda Pinatih

Race, Colonialism, and the Climate Crisis

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What Artists and Designers Can Do. Ekow Eshun interviewed by Amanda Pinatih

Journal Articles tagged with creative labor

Ludic Labyrinths: Strategies of Disruption

By Paula Burleigh

In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968

By Kristian Handberg

Labyrinth and Rhizome: On the Work of Walid Raad

By Christoph Chwatal

Curating the Stedelijk Collection: A Roundtable Discussion

A roundtable discussion on the occasion of the current edition of Stedelijk Studies, which centers on the theme of Curating the Collection.

Looking at the One and Only: The Return of the Single-Work Show

By Johanne Lamoureux, Mélanie Boucher and Marie Fraser

Painting Into A Corner: The Pedagogic Agenda, the Immersive Mediation (and the Overdetermined Experience) of ‘Play Van Abbe 4’

By Angela Bartholomew

Colab Again

By Francesco Spampinato

Good (graphic) design

By Clemence Imbert

Documenting the Marvelous: The Risks and Rewards of Relying on Installation Photographs in the Writing of Exhibition History

By Madeleine Kennedy

Modes of Making Art History

By Maria Bremer