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  • Imagining the Future of Digital Archives and Collections

    Stedelijk Studies Issue #10 – Fall 2020

Digital Archives and Collections
September 29, 2020/by Nikolai

Imagining the Future of Digital Archives and Collections – Editorial

by Vivian van Saaze, Claartje Rasterhoff, and Karen Archey
BigData Color study-3 11408 x7768 pixels Geert Mul 2015 Courtesy Galerie Ron Mandos Amsterdam
September 29, 2020/by Nikolai

Innovative Digital Infrastructures: The Issue of Sustainability

An Online Roundtable Discussion
Image 3: Metadata of a record from the Bibliotheca Hertziana in METS format.
September 29, 2020/by Nikolai

Biases within Digital Repositories: The Getty Research Portal

by Hande Sever
Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.
September 29, 2020/by Nikolai

Seep Between the Mortar: Sociotechnical Imaginaries in Digital Media at Tate

by Lucy Bayley
Fig.1. SEACHINA.NET Socially Engaged Art in Contemporary China
September 28, 2020/by Nikolai

Digital Art Archives in Asia for the Public Domain: A Conversation with Bo Zheng and Lu Pan

by Sjoukje van der Meulen
Figure 4. Douglas Davis, Two Cities, a Text, Flesh, and the Devil (1977), The Floating Museum. Courtesy of Lynn Hershman Leeson.
September 28, 2020/by Nikolai

Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum

by Gabriella Giannachi
Fig. 1. Word cloud based on the working definitions of digital humanities provided by participants of the Research Libraries UK project ‘The role of Research Libraries in the creation, archiving, curation, and preservation of tools for the Digital Humanities’.
September 28, 2020/by Nikolai

Partnering through Collections in Digital Humanities: Looking at Researchers’ Needs

by Christina Kamposiori
Figure 2. A cross-departmental team examines works on paper by artist Vija Celmins at SFMOMA in 2017.
September 28, 2020/by Nikolai

Reimagining the Object Record: SFMOMA’s MediaWiki

by Martina Haidvogl and Layna White
Andrea Fraser, Information Room in Genius Loci, Kunsthalle Bern, 1998. Courtesy of Kunsthalle Bern.
September 28, 2020/by Nikolai

Archives without a Lobby: On the Situation of Institutional Holdings in Galleries and Art Museums

by Philipp Messner
Fig. 3. The fire at the Museu Nacional, September 2, 2018. Image credit: Fabio Teixeira/Picture Alliance Via Getty Images.
September 27, 2020/by Nikolai

Tropical Fantasia: Towards a New Archivo-Museological Imaginary

by Ana Helena Arévalo
Figure 3b. Detail
September 27, 2020/by Nikolai

Database Art and Design: Pioneering Strategies in the Arts towards Collecting and Archiving

by Sjoukje van der Meulen
Editor-in-Chief’s Pick - Engines of Order: A Mechanology of Algorithmic Techniques
September 27, 2020/by Nikolai

Editor in Chief’s Pick – Engines of Order: A Mechanology of Algorithmic Techniques

by Bernhard Rieder
Rosa Menkman, It takes more than the past to understand and build the archive, 2020
September 25, 2020/by Nikolai

It Takes More than the Past to Understand and Build the Archive

Artist Contribution by Rosa Menkman

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Stedelijk Studies Journal is an open-access, peer-reviewed scholarly journal published by the Stedelijk Museum Amsterdam.

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