Imagining the Future of Digital Archives and Collections

Imagining the Future of Digital Archives and Collections
Stedelijk Studies Issue #10 – Fall 2020

Digital Archives and Collections

September 29, 2020/by Nikolai

Imagining the Future of Digital Archives and Collections – Editorial

by Vivian van Saaze, Claartje Rasterhoff, and Karen Archey

BigData Color study-3 11408 x7768 pixels Geert Mul 2015 Courtesy Galerie Ron Mandos Amsterdam

September 29, 2020/by Nikolai

Innovative Digital Infrastructures: The Issue of Sustainability

An Online Roundtable Discussion

Image 3: Metadata of a record from the Bibliotheca Hertziana in METS format.

September 29, 2020/by Nikolai

Biases within Digital Repositories: The Getty Research Portal

by Hande Sever

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

Fig. 1. 'The Internet - hypercube draft proposal', Tate Acquisition file, Richard Hamilton (T07124 Diab DS-101 Computer, 1985–9) Tate Public Records, PC10.1, Tate Archive, Tate Britain.

September 29, 2020/by Nikolai

Seep Between the Mortar: Sociotechnical Imaginaries in Digital Media at Tate

by Lucy Bayley

Fig.1. SEACHINA.NET Socially Engaged Art in Contemporary China

September 28, 2020/by Nikolai

Digital Art Archives in Asia for the Public Domain: A Conversation with Bo Zheng and Lu Pan

by Sjoukje van der Meulen

Figure 4. Douglas Davis, Two Cities, a Text, Flesh, and the Devil (1977), The Floating Museum. Courtesy of Lynn Hershman Leeson.

September 28, 2020/by Nikolai

Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum

by Gabriella Giannachi

Fig. 1. Word cloud based on the working definitions of digital humanities provided by participants of the Research Libraries UK project ‘The role of Research Libraries in the creation, archiving, curation, and preservation of tools for the Digital Humanities’.

September 28, 2020/by Nikolai

Partnering through Collections in Digital Humanities: Looking at Researchers’ Needs

by Christina Kamposiori

Figure 2. A cross-departmental team examines works on paper by artist Vija Celmins at SFMOMA in 2017.

September 28, 2020/by Nikolai

Reimagining the Object Record: SFMOMA’s MediaWiki

by Martina Haidvogl and Layna White

Andrea Fraser, Information Room in Genius Loci, Kunsthalle Bern, 1998. Courtesy of Kunsthalle Bern.

September 28, 2020/by Nikolai

Archives without a Lobby: On the Situation of Institutional Holdings in Galleries and Art Museums

by Philipp Messner

Fig. 3. The fire at the Museu Nacional, September 2, 2018. Image credit: Fabio Teixeira/Picture Alliance Via Getty Images.

September 27, 2020/by Nikolai

Tropical Fantasia: Towards a New Archivo-Museological Imaginary

by Ana Helena Arévalo

Figure 3b. Detail

September 27, 2020/by Nikolai

Database Art and Design: Pioneering Strategies in the Arts towards Collecting and Archiving

by Sjoukje van der Meulen

Editor-in-Chief’s Pick - Engines of Order: A Mechanology of Algorithmic Techniques

September 27, 2020/by Nikolai

Editor in Chief’s Pick – Engines of Order: A Mechanology of Algorithmic Techniques

by Bernhard Rieder

Rosa Menkman, It takes more than the past to understand and build the archive, 2020

September 25, 2020/by Nikolai

It Takes More than the Past to Understand and Build the Archive

Artist Contribution by Rosa Menkman

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