Stedelijk Studies
  • Journal Issues
    • 2019
      • Issue #8 – Towards a Museum of Mutuality
    • 2018
      • Issue #7 – Lose Yourself!
      • Issue #6 – The Borders of Europe
    • 2017
      • Issue #5 – Curating the Collection
    • 2016
      • Issue #4 – Between the Discursive and the Immersive
    • 2015
      • Issue #3 – The Place of Performance
      • Issue #2 – Exhibition History
    • 2014
      • Issue #1 – Collecting Geographies
  • Call for Papers
    • Stedelijk Studies Spring 2020 – Call for Papers *CLOSED*
    • Stedelijk Studies Fall 2019 – Call for Papers *CLOSED*
    • Stedelijk Studies Summer 2019 – Call for Papers *CLOSED*
    • Stedelijk Studies Summer 2018 – Call for Papers *CLOSED*
    • Stedelijk Studies Summer 2017 – Call for Papers *CLOSED*
    • Stedelijk Studies Fall 2016 – Call for Papers *CLOSED*
    • Stedelijk Studies Fall 2015 Performance – Call for Papers *CLOSED*
  • Author Guidelines
  • About Stedelijk Studies
  • Contact
  • Menu

  • Lose Yourself!

    On Labyrinthine Exhibitions as Curatorial Model

Lose Yourself!

Stedelijk Studies Issue #7 – Fall 2018

October 3, 2018/by Esmee

Lose Yourself – Editorial

By Margriet Schavemaker and Dorine de Bruijne
October 2, 2018/by Esmee

The Labyrinthine Exhibition: A New Genre

By Reesa Greenberg
October 1, 2018/by Esmee

The Labyrinth as an Exhibitionary Model: Form, Event, and Mode of Life

By Noit Banai
October 1, 2018/by Esmee

Invisible Mazes—Visible Perceptions

By Pamela Bianchi
September 30, 2018/by Esmee

Ludic Labyrinths: Strategies of Disruption

By Paula Burleigh
September 29, 2018/by Esmee

Ludic Exhibitions at the Stedelijk Museum: Die Welt als Labyrinth, Bewogen Beweging, and Dylaby

By Janna Schoenberger
September 28, 2018/by Esmee

Niki de Saint Phalle Playing with the Feminine in the Male Factory: HON – en katedral

By Annika Öhrner
September 27, 2018/by Esmee

George Maciunas and the Flux-Labyrinth (1974/1976): Staging a SoHo Way of Life

By Anton Pereira Rodriguez and Wouter Davidts
September 26, 2018/by Esmee

In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968

By Kristian Handberg
September 25, 2018/by Esmee

Within a Labyrinth of Gazes: Exhibiting Christoph Schlingensief

By Janneke Schoene
September 24, 2018/by Esmee

Labyrinth and Rhizome: On the Work of Walid Raad

By Christoph Chwatal
September 23, 2018/by Esmee

On “On Otto”: Moving Images and the New Collectivity

By Ina Blom
September 22, 2018/by Esmee

The Labyrinth: Metaphor and Method

By Paula Alaszkiewicz
September 20, 2018/by Esmee

Video: Hans Ulrich Obrist

At the Symposium Lose Yourself!
September 19, 2018/by Esmee

Video: Hou Hanru

At the Symposium Lose Yourself!
September 18, 2018/by Esmee

Video: Raqs Media Collective

At the Symposium Lose Yourself!

NEWS

Stedelijk Studies Spring 2020 – Call for Papers *CLOSED*

May 6, 2019
https://stedelijkstudies.com/wp-content/uploads/2019/05/CFP-Issue-10.jpg 1654 2339 Esmee https://stedelijkstudies.com/wp-content/uploads/2014/11/Stedeijk-Studies.png Esmee2019-05-06 15:23:462019-06-28 11:18:28Stedelijk Studies Spring 2020 – Call for Papers *CLOSED*

NOW AT THE STEDELIJK

Chagall, Picasso, Mondrian and Others: Migrant Artists in Paris
21 Sep 2019 – 2 Feb 2020

SHARE THE JOURNAL

NEWSLETTER

Subscribe to our Newsletter.

CONTACT

 

Follow us on Twitter

IMAGE COLOPHON

For issue 8 of Stedelijk Studies photos by Luca Penning were selected.

For issue 7 of Stedelijk Studies photos by Dora Lionstone were selected.

For issue 6 of Stedelijk Studies Thomas Bellinck produced an artistic contribution.

For issue 5 of Stedelijk Studies photos by Sarah Westphal were selected.

For the first 4 issues of Stedelijk Studies students of the Rietveld Academy in Amsterdam produced new photographs.

Subscribe to the Stedelijk Museum Academic Newsletter

Stedelijk Museum Amsterdam

Stedelijk Studies is a collaboration between the Stedelijk Museum Amsterdam and the University of Amsterdam, Leiden University, Utrecht University, VU Amsterdam, Radboud University Nijmegen and Maastricht University.

© 2019 Stedelijk Studies
  • Disclaimer
Scroll to top