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  • The Borders of Europe

    Art and Cultural Memory in the EU since the Maastricht Treaty

The Borders of Europe

Stedelijk Studies Issue #6 – Spring 2018

February 27, 2018/by Esmee

The Borders of Europe – Editorial

By Sjoukje van der Meulen and Nathalie Zonnenberg
February 26, 2018/by Esmee

The Borders of Europe: A Roundtable Discussion

With Yoeri Albrecht, Valentijn Byvanck, Hedwig Fijen and Steven ten Thije
February 25, 2018/by Esmee

Whatever Happened to Ground Euro? The Borders of Brussels

By Bert de Muynck
February 24, 2018/by Esmee

Representing Migration in Inclusive Museums: The Humanity House

By Inge Zlatkou
February 23, 2018/by NikolaiDesign

Simple as ABC #2: Keep Calm & Validate

By Thomas Bellinck
February 22, 2018/by Esmee

Let’s Take Back Control! Of Our Imagination

By Mihnea Mircan and Jonas Staal
February 21, 2018/by Esmee

The Immigrant Continent

By Esra Akcan
February 20, 2018/by Esmee

The Political Geographies of Muslim Visibility: Boundaries of Tolerance in the European City

By Luiza Bialasiewicz
February 19, 2018/by Esmee

Art: Don’t Fence Me In! The Correspondence Principle in European Art

By Antje von Graevenitz
February 18, 2018/by Esmee

Reenacting the Past: Romanian Art since 1989

By Mirela Tanta
February 17, 2018/by Esmee

When Crisis Becomes Form: Athens as a Paradigm

By Theophilos Tramboulis and Yorgos Tzirtzilakis
February 16, 2018/by Esmee

Memories of Europe in the Art From Elsewhere

By Andreas Huyssen

NOW AT THE STEDELIJK

Now at the Stedelijk: In the Presence of Absence

In the Presence of Absence

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IMAGE COLOPHON

For issue 10 of Stedelijk Studies a video and various video stills by Rosa Menkman were created.

For issue 9 of Stedelijk Studies a video still by Pınar Öğrenci was selected.

For issue 8 of Stedelijk Studies photos by Luca Penning were selected.

For issue 7 of Stedelijk Studies photos by Dora Lionstone were selected.

For issue 6 of Stedelijk Studies Thomas Bellinck produced an artistic contribution.

For issue 5 of Stedelijk Studies photos by Sarah Westphal were selected.

For the first 4 issues of Stedelijk Studies students of the Rietveld Academy in Amsterdam produced new photographs.

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