Curating the Collection
Edited by Fieke Konijn and Rachel Esner

Curating the Collection

Stedelijk Studies Issue #5 – Fall 2017

September 23, 2017/by Esther Dekker

Curating the Collection – Editorial

By Rachel Esner and Fieke Konijn

September 23, 2017/by Esther Dekker

Curating the Stedelijk Collection: A Roundtable Discussion

A roundtable discussion on the occasion of the current edition of Stedelijk Studies, which centers on the theme of Curating the Collection.

March 5, 2017/by Esther Dekker

Handle with Care: The influence of New Institutionalism on Collection Displays in Italian Contemporary Art Museums

By Micaela Deiana

March 5, 2017/by Esther Dekker

Alike, but not the Same: The Reenactment of Lina Bo Bardi’s Display for the São Paulo Museum of Art (1968–2015)

By Sabrina Moura

March 5, 2017/by Esther Dekker

The Shifting Paradigm in Developing Chinese Contemporary History: Collectors of Contemporary Art and the Dynamic Dialogue between the Private and Public in China

By Raymond Rhone

March 5, 2017/by Esther Dekker

The Iwalewahaus: Displaying Works of African Modernism

By Nadine Siegert

March 5, 2017/by Esther Dekker

Looking at the One and Only: The Return of the Single-Work Show

By Johanne Lamoureux, Mélanie Boucher and Marie Fraser

March 5, 2017/by Esther Dekker

Flattening Hierarchies of Display: The Liberating and Leveling Powers of Objects and Materials

By Judith Spijksma and Ann-Sophie Lehmann

March 5, 2017/by Dorine

New Exposure: The Arab Image Foundation and the Curatorial

By Daniel Berndt

March 5, 2017/by Esther Dekker

The Politics of Display

By Michael Neumeister

March 5, 2017/by Esther Dekker

The Algorithm as Curator: In Search of a Non-Narrated Collection Presentation

By Manique Hendricks

March 5, 2017/by Dorine

Temporal Conflicts and the Purification of Hybrids in the 21st-Century Art Museum: Tate, a Case in Point

By Victoria Walsh and Andrew Dewdney

IMAGE COLOPHON

For issue 9 of Stedelijk Studies a video still by Pınar Öğrenci was selected.

For issue 8 of Stedelijk Studies photos by Luca Penning were selected.

For issue 7 of Stedelijk Studies photos by Dora Lionstone were selected.

For issue 6 of Stedelijk Studies Thomas Bellinck produced an artistic contribution.

For issue 5 of Stedelijk Studies photos by Sarah Westphal were selected.

For the first 4 issues of Stedelijk Studies students of the Rietveld Academy in Amsterdam produced new photographs.

Curating the Collection

Curating the Collection

Curating the Collection – Editorial

Curating the Stedelijk Collection: A Roundtable Discussion

Handle with Care: The influence of New Institutionalism on Collection Displays in Italian Contemporary Art Museums

Alike, but not the Same: The Reenactment of Lina Bo Bardi’s Display for the São Paulo Museum of Art (1968–2015)

The Shifting Paradigm in Developing Chinese Contemporary History: Collectors of Contemporary Art and the Dynamic Dialogue between the Private and Public in China

The Iwalewahaus: Displaying Works of African Modernism

Looking at the One and Only: The Return of the Single-Work Show

Flattening Hierarchies of Display: The Liberating and Leveling Powers of Objects and Materials

New Exposure: The Arab Image Foundation and the Curatorial

The Politics of Display

The Algorithm as Curator: In Search of a Non-Narrated Collection Presentation

Temporal Conflicts and the Purification of Hybrids in the 21st-Century Art Museum: Tate, a Case in Point

Stedelijk Studies Spring 2020 – Call for Papers CLOSED

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