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  • Between the Discursive and the Immersive

    Curating Research in the 21st Century Art Museum

Between the Discursive and the Immersive

Stedelijk Studies Issue #4 – Spring 2016

June 27, 2016/by Dorine

Between the Discursive and the Immersive – Editorial

By Marie Laurberg and Margriet Schavemaker
June 9, 2016/by Dorine

Discursive versus Immersive: The Museum is the Massage

By Mark Wigley
June 9, 2016/by Dorine

Visitor Voices Between the Discursive and the Immersive

By Helen Charman
June 9, 2016/by Dorine

Narrative Theories and Learning in Contemporary Art Museums: A Theoretical Exploration

By Emilie Sitzia
June 9, 2016/by Dorine

For Whom Do We Write Exhibitions? Towards a Museum as Commons

By Francesco Manacorda
June 9, 2016/by Dorine

Painting Into A Corner: The Pedagogic Agenda, the Immersive Mediation (and the Overdetermined Experience) of ‘Play Van Abbe 4’

By Angela Bartholomew
June 9, 2016/by Dorine

In the Making, of Objects, Artists, and Publics

By Sarah Ganz Blythe
June 9, 2016/by Dorine

To Touch and Be Touched

By Saara Hacklin
June 9, 2016/by Dorine

A Thought Never Unfolds in One Straight Line

By Christel Vesters
June 9, 2016/by Dorine

What’s in a Name? Questions for a New Monument

By Margrethe Troensegaard
June 9, 2016/by Dorine

Curating Education, Staging the CV: Learning at Former West

By Barbara Mahlknecht
June 9, 2016/by Dorine

Redistributing Knowledge and Practice in the Art Museum

By Victoria Walsh
June 9, 2016/by Dorine

Black Mountain and Beyond – Research Practices between Universities and Museums

By Annette Jael Lehmann and Anna-Lena Werner
May 26, 2016/by Dorine

Vestiges of 125,660 Specimens of Natural History

By Anna-Sophie Springer and Etienne Turpin

NOW AT THE STEDELIJK

Now at the Stedelijk: In the Presence of Absence

In the Presence of Absence

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IMAGE COLOPHON

For issue 10 of Stedelijk Studies a video and various video stills by Rosa Menkman were created.

For issue 9 of Stedelijk Studies a video still by Pınar Öğrenci was selected.

For issue 8 of Stedelijk Studies photos by Luca Penning were selected.

For issue 7 of Stedelijk Studies photos by Dora Lionstone were selected.

For issue 6 of Stedelijk Studies Thomas Bellinck produced an artistic contribution.

For issue 5 of Stedelijk Studies photos by Sarah Westphal were selected.

For the first 4 issues of Stedelijk Studies students of the Rietveld Academy in Amsterdam produced new photographs.

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